o_d_m wrote:Again to summarize the Pistols being on a major label is not my problem, being on a major label and trying to pretend to be anarchist or whatever is. ( That goes for you too Against Me!, Rage Against the Machine, and Billy Bragg)
I agree that the Ramones were the better band (their best records I prefer to
Nevermind the Bollocks, and as TommyD points out, their greatness was more prolific).
However, I disagree with you on the above. The Sex Pistols were anarchic - they led to riots, arrests, questions in Parliament, news hysteria, beatings (leaving permanent injuries in the case of Johnny Rotten), and general schism between most of the country and a small but very visible youth minority who railed against the decaying, staid and depressed (economically, and from what I hear, emotionally as well) commonplace of the UK at that time.
Of course, I would argue that the real revolution (for worse, mainly) came over the next decade with Thatcher, but that does not negate the fact that for a period the Sex Pistols were an invigorating force.
Some great bands were inspired by the Pistols; immaterial of their musical worth, they created a lot of good.
With regards to the major label criticism, there was nowhere near the network of non-major labels and distribution in comparison to ten years later. Given that the commercial/art/fashion/McClaren-fartarsing-about entity that was the Pistols proclaimed itself to be so much more than a band, it was natural that they would want to get records released in a highly visible fashion. The major/independent split within rock music was not even recognised then, I believe. I would be truly interested to hear otherwise.
My vote for the Ramones still stands though. Much better band, them.