cobascis wrote:Thanks for this vid, it's really well put together and a great quick resource to check out. The snare mic is 3" above, lined up with the edge of the drum hoop, correct? Is it pointing at the center of the head? I often struggle with snare mic placement (or just set it once and forget ...

TyTy wrote:Man, nice room. I wish overheads always sounded like that. I think a big part of coping the 90's Steve sound is delaying the room mics by +/- 20ms. Not saying that your approximation didn't sound great, but that always struck me as his most signature move.Only ended up using a 10 ms delay...

bishopdante wrote:Joff wrote:Haha! I know, I do have an unported resonant head but I'm still figuring out how to get rid of that tremor on the kick beater that happens when the air can't escape fast enough. It's a pretty big kick!Might be worth trying more tension on the beater head and slacker tens...

Haha! I know, I do have an unported resonant head but I'm still figuring out how to get rid of that tremor on the kick beater that happens when the air can't escape fast enough. It's a pretty big kick!

Hi all,I made this as part of my Masters studies. Hopefully a useful resource for people interested in one of many approaches Steve has to recording the drum set. Basically distilled from online lectures and literature. The mix is kind of arbitrary given there's no song to provide context but you ge...