Not sure if you're still looking for opinions on this, but I hear a couple things I would maybe change.It sounds a bit boomy to me, likely because of proximity effect from the mics. I can also hear the room, but it sounds like a flaw rather than a feature. If it were me, I would try backing the mics...

For me, the mono kit mic is a good way to push the shells without getting excess brightness from the cymbals. Good for chesty glue. I like a 77dx or a Coles looking over the kick at the snare, generally with some squishy compression on it (33609, TG1, LA2A). The fig. 8 pattern helps to isolate it fr...

Reverse Gate on the SPX90 with the parameters maxed. Play around with it until it gets weird.Long verb on the Alesis into the SPX90 set to Symphonic or Pitch Change C?Combo of the above in parallel?When I think dreamy I think modulation, longer verbs and delays, and high-end. Bright, wispy verbs and...

dontfeartheringo wrote:Welcome back to the PRF!!Oh, hi.

I've used a few machines with relapped heads done by JRF, all of which were great. I have yet to hear a bad word about their services. Is there even another option, anyway?As for tape formulations, for rock stuff I prefer RMG 911, but the last couple reels I've used have had some issues with QC (shi...

I was there but I didn't speak to anyone because it was loud as fuck most of the time and I don't socialize so good. All the bands I saw were rad and I hope there's another one soon!If anyone feels like getting a cup of coffee somewhere there aren't a lot of dB being hurled at our faces, say what's ...