Slayers atonality is completely intentional. Doesn't mean one has to enjoy it but it's definitely missing the point.

The Walkmen - The Rat, I can still dig quite a bit of their discography but that song is the highest peak by a fair amount.

Paint it Black is the archetype of this phenomenon to me.

Stevie is s one of the peak musical talents of the 20th century, without a doubt. But my personal preference is always Curtis, his music just resonates with me, a groove so deep and wide that just sucks me in. Totally timeless while the individual elements are very much of its time: The wah-wah guit...

Hot Take: Autechre are the Grateful Dead of electronic music.

RDJ is the Brian Eno.

Has anybody ever seen anybody actually play one of these fugly things in a band? So many times. Bands ranging from indie-prog to prog-hardcore to prog-metal to prog-prog-prog-clownly-clown-clown-spam-spam-sausage and spam Has the Tosin Abasi been posted yet? Because it really deserves to be: https:...

In a metal-riff context they can be fun. Let there be squeelies:


That 80s hard-rock thing where every free space is filled with them is not cool.

Diamanda Galas outspooks them both by a good bit:

Been on a bit of an hard acid-techno trip the past few weeks:

20 minutes of mindmelting psychedelia from the netherlands


Similarly, maximalist minimalism and really fucking heavy shit:

Is it only me or do the Radiohead and Steely Dan threads read like they're about the same band?

Sandler as a complete sleezeball in Uncut Gems was just wonderful! Maybe a movie with the roles cast against the usual typecasting would be good: The tragic one: Jim Carrey The gruff older guy: Adam Sandler The comedic relief: Tom Cruise (see Tropic Thunder) The Sweetheart: Frances McDormand The her...