6
by alex maiolo_Archive
I'm a Rick geek, and for some reason I've always liked the simpler models. I think the 330 rules. It's everything a Rick should be and nothing more. I may be wrong, but I think they generally sound fuller. I know very few people who've used the Ric-o-sound feature on the deluxe models since a splitter box is needed. It's a relic effect from the days when "midrange boost" was a mind-blowing, psychedelic experience.
While I'm straying from the pack, I think the new Hi-gain pickups beat the crud out of the coveted "toaster tops". They were meant to be an improvement and I think they are. Some years are better than others, so play and listen. I'm fond of the late 70's to mid 80's models. The output seems to be nicer, but I could be wrong. I have a '79 and an '82 (12 and 6 respectively) and they get complimented a lot.
Experiment with treble boosting and compression. If you like the McGuinn sound, that's how it's done. I just use a compressor some of the time to "squash" things a little and I like that. Just a little Guyatone thing. When I record, I use a Presonus Blue Max for the same effect. Tube amps tend to do them justice too. I think an amp loaded with EL34s is the way to go, but I like my 12 string to sound "British."
Don't pass by the solid body 12's. They can be really cool. The old 450's are impossible to intonate exactly, but it's usually not a problem since 12's are always a little "off." The later 620's are great and a good deal.
Look outside of Rick as well. They make the best, IMHO, but I'm not militant about it. Voxes are too expensive these days, but sound great. You get that Will Sergeant tone - very 60's garage.
I can't say enough about Shergold guitars, 6 and 12. They were one of the few companies that didn't give up on 12's when they were out of fashion. Amazing guitars for the money.
I never liked the Fender XII, but the Strat 12 is pretty great.
Rick is the only major manufacturer that puts the heavy string above the octave (looking down from your chest). They've been doing that since the early 60's. Only a handful, maybe only two, were strung traditionally. The first one, and the one made for George Harrison. Mike Campbell owns the first one and I think Tom Petty owns George's.
The traditional way (octave on top) makes for a *really* different sound, so see what you prefer in regard to that as well. You may find that the bright attack of the non-Ricks suits you.