thebookofkevin wrote:Run Around on Fire wrote:several writers at Pitchfork probably wrote reviews for the album, and they chose to publish the 0.0 since thats the most sensational, and totally fucked any chance Travis (even if its a bad album) may have had.
i write for a music reviewing website, and think that this statement is completely false. pitchfork writers get paid to write their reviews. why would pitchfork pay 4 people to write a review when only one of them is going to be published? (in the event that they only pay who gets published, why would you write a review you knew someone else was writing also, and therefore potentially stopping you from getting paid for your time?)
on the site that i write for, there is one writer assigned to each review. granted, i don't write for pitchfork, so i don't KNOW how they do it, what you describe doesn't make sense.
READ TINYMIXTAPES!
You very well could be right, as I have absolutely no idea how this thing works. I figured that they would at least have 2 people write a review for an album so they could put up the "better" one. Especially when they're rushed to get the review up the day before the album comes out. But maybe I'm retarded.
On the subject of tiny tix tapes: I read that too. I think whereas Pitchfork tries to be edgy and hip, Tiny Mix Tapes tries to be funny, and they do just as much gae postmodern bullshit in their music news section (ie, writing the day's music news in the form of an AIM conversation) as 'fork. Whenever I read tiny mix tapes I skip the first paragraph or two of every story because it's usually just a bunch of unfunny references and hipster feces.