Bands That " Bring It" Live

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i don't have exact dates but i think the years are correct.

fugazi - 1989, 1999
destroyer - 2003, 2004
silkworm - this century
mission of burma 2003, 2004, 2005
spouse - 1999-present
tobin sprout- 2001?, 2004
polvo - 1994
dead moon - 2005
kaustic deathdead - 1993
nina nastasia - 2003
oranges band - 2003, 2004, 2005
quasi - 1998
chris brokaw rock band - last saturday

Bands That " Bring It" Live

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Mono has consistently brought it each and every time I've seen them. I can't watch any other bands after them, if they're not headlining, I go home.

The one time I got to see Silkworm, they absolutely killed me.

I've never had a bad time at a They Might Be Giants show. Herc., too.

The first time I saw PosterChildren, I really didn't like them. But I saw them again the next night, and they fixed me. Every time I see them, they fix me.

And of course, House of Large Sizes showed me everything that was great about indie rock, and I got to relive it every other time I saw them.
Hey. My name's Josh.
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Bands That " Bring It" Live

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Okay: Calvin Johnson:

I had heard all the rumors about his tendancies towards bringing in the college girls. "Ah, a college town. You know what that means? Girls in too small striped t shirts with no bras!"

The first thing to say about this show was that it was opened by the always amazing Love Letter Band (aka Bad Weather California). They're really great. But I doubt anyone outside of Colorado will ever get to see them/him. Two members (at this point) acoustic and electric guitar player, and a melodica/toy piano/saw/glockenspeil/drum player: somewhat odd, somewhat pissed, very smart, very intimate folk.

Calvin Johnson comes out and plays his first song. Acoustic guitar and mic. Very strange "dance" swaying and lots of coy look giving. I thought this was rediculous. Over the course of the set it seemed to be less of a "look at me, I'm on stage" type of an expression and more of a "I feel strongly about this and the expression of feeling/interaction with you (the audience) is more important then playing the song perfectly."

He retreated a little in the corner to remember chord progressions. He sung into the mic some, but mostly sang and spoke away from it. When the bar got loud and obnoxious, he moved the show out onto the balcony of the club. There was a Q & A section. He made the audience feel important. It was really human. It was great.

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