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by jevat_Archive
to learn this stuff, here's what i did once:
i went into Pro Musica, which is a really over-the-top stereo equipment shop down on clark st. in chicago, and pretended to be a really rich and ignorant Lincoln Park audiophile. i went into a little room with a guy and told him that "my dad owes me a really nice birthday present this year, and i told him it would be a lot, but he gave in."
"how much is your idea of a lot?" the salesman asked.
"about 25 grand," i said.
"we can work with that," he said, and promptly took me downstairs to the "let's treat this customer seriously" stereo section.
playing the ignorant part really helped, because it meant (to him) that i didn't know the difference between tube and solidstate equipment, so he hooked up both, and i listened to the differences. also, he hooked up a Naim system, which i personally wouldn't waste money on (even if i had it), to some Electrostatic speakers, and later plugged in some sub-woofers, and also showed me the difference between a cd player that cost $2,500 and one that cost $4,000. there was a difference...but it sure as hell wasn't worth that kind of money.
i brought along 3 cds--one excellent recording ("the blackened air"), one "decent" recording (i forget), and then one pretty bad recording ("master of reality"), for purposes of comparison. to best play the part of the young ignoramus, i left my records at home, which i wish i had brought, but, whatever.
the salesman has a lot to do with shaping your opinion of the sound, if you really ARE ignorant. he told me that it was "obvious" that "the blackened air" had been digitally recorded, because "it's kind of grainy". it was hard to keep a straight face, but i managed. what was obvious to me what that he just wanted to present the "fact" that it was the recording that was flawed, not the equipment.
later on, he pulled out a cd which he said he wanted to play "just for kicks". he was trying to conceal it, but i was looking for it, and i noticed a "Naim" logo on it...of course, every track had been engineered, mixed, and mastered to sound as good as possible...ON THAT SYSTEM ONLY. and it sounded more fantastic than anything else i brought--that's the point. it makes everything else sound like shit. and i think that's abominably deceptive, but...that's the way it goes.
at all events, the reason why i went there, and did this, and spent two hours listening to the same three tracks, was because i wanted a good point of reference. it's easy to go to a lower-end hi-fi shop and pick out a relatively cheap stereo system that will sound good once you know the little tricks. i would advise to spend more on your receiver, and get your other components a little more cheaply. don't get a shit turntable,
though--cheaper companies can go out of business and pretty soon you're reduced to buying a radio shack replacement stylus. and, setting up the speakers at proper angles to where you mainly sit while listening to records is a HUGE part of getting a better sound. my stereo system is the worst one i've ever owned--but i still get better sound out of it than some of my friends' more expensive systems, just because i set the speakers up "right". but in the end, it's all subjective, just like musical taste.
sorry for not recommending brand names or anything, i personally would choose whichever brand was the best quality for your budget.
hope this helps to some degree...
regards, jet.