HEH SEUSS LIZARD

3
Liar is astonishing, and great fun indeed.

Head is a great record, and it has Killer McHann and 7 vs. 8 on it.

Down was odd. Great songs, but something just didn't seem right with it. I've never been able to pin down what I think is missing.

Shot was good, and Duane's slide work was great. Hated the basketball bass drum sound.

Blue....pthhhpthhh. Arse.

But Goat, oh man. Goat. It rarely gets better than Goat.

HEH SEUSS LIZARD

5
"Down" has been my favorite since it was released. For my money the recording on that album beats all of the others. "Destroy Before Reading" is a killer.

"Blue", until a few weeks ago, made me feel sick. I enjoy bits of it here and there now, and I think the issue is that there should've been a name change. "New Jesus Lizard" or "Jesus Lizard Deux" would've been more appropriate. How could they keep the name without Mac? The rhythm section sounds totally out of wack in comparison to the years prior.

That being said, I do think Andy Gill's production made the album interesting for what it is. And it is JL2000!

HEH SEUSS LIZARD

8
HEAD.

A little quieter than I would like, but once adjusted upward, the first song kicks it out dirtier and greater than most.

A fully dynamic record.

GOAT is completely excellent, but not as loose. I really like that about HEAD.

There are no negatives about Jesus Lizard, except the first time I saw them live w/o Mac at the Lounge Ax (special surprise show - we were there to see Chavez who, naturally, killed). This was when they had the drummer from Mule playing with them - who played their songs, well, like the drummer from Mule.

I love(d) this band.

HEH SEUSS LIZARD

10
it's okay Jon. i've never heard any of their albums. just the song "Waxeater", on a comp tape a friend made for me in '91 or '92, then the song on their split with nirvana (heard it one time), and then most recently, a friend made a mix cd and put the song "sunday you need love" on it. then again i saw them play at the Metro, so really i heard a lot of their stuff.

does anybody ever do this, where something is so hugely popular and revered (bearing in mind that "hugely popular" does exist within "underground" or "indie" circles, just on a different scale than, say, Smashing Pumpkins), and from what you've experienced you recognize this popular thing as great and don't have any doubt that it merits the love it gets, but you sorta steer clear of it so you don't end up like so many others, trying to emulate the thing in question? i deliberately worked toward this M.O. after a debate with my philosophy teacher in college, regarding whether or not pure creativity exists or everything considered creative is actually inescapably synthetic in nature.

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