r0ck1r0ck2 wrote:i was in the habit of picking up every set of flat 11's that i came across for a bit..
and settled on the d'addarios..
nice to hear about these thomastiks
yeah, I've tried most brands, but the D'addario's are the ones even small shops will usually carry. You can most likely order the thomastiks from wherever you buy strings. every place I've been to here said they could order them.
i'm sure i'll be kerbled on these..
you got it.
more on thomastik:
Flatwound thread
Mayfair on Thomastiks for bass.
I think there's stuff in these threads where both Tom and I urge you to never buy "Pyramid" flats, regardless of how glowing the reviews. lifeless, flimsy, easily breakable. the only two shows in six years of at least one gig a month, if not more, where a string broke, the Pyramids were the culprit. they don't have good QC.
burun wrote:kerble wrote:I don't have a digital camera.
Freakin' Luddite.
r0ck1r0ck2 wrote:digital camera's are something too easy/cheap to pass on.
steve's analog ideas don't count for photos..you don't want too many old photos..they stink like old sock.
I know! I've always lived with someone who had one (at least for the past 7 years), so I never really needed one until m'lady's digital camera died six months back.
grr.
Boombats wrote:kerble wrote:Right now, I just have the D'addario 11 flat wounds, which are the best easily obtainable ones I've found. Still plenty bright, durable and cheap. the ones I really love, though are the thomastik jazz swing series 11s. incredible. you can get some really crunchy fuzz leads. slightly more pricey, durable and great sounding.
Yes!! Flatwounds are King Shit of Fuck Mountain.
fact.
also, with my POG and the flats, I can do this.