kerble wrote:hench, do you have a weighted controller for your software?
you're a bad ass behind the keys, how does key type affect your playing?
i just use the weighted triton as the controller - it's ok, but i'm really spoiled by all those years of steinways (both my pro upright at home, and the dozens of baby grands/concert d 9footers @ uiuc)... i've yet to find anything from roland/korg/yamaha/m-audio/kurzweil that can match the chunkiness (not quite the right word) & the velocity/response of a steinway, or even a kawai/yamaha concert grand...
i know that pinball is getting harder than ever to find, but the closest tactile analogy that i've found is the feel of williams/bally flippers from the late80s-mid90s versus any other flippers -- nothing feels as fluid or as natural of an extension/bridge between hand & machine.
the motion of the acoustic piano feels more fluid & less binary - there's a springiness there that's lacking in the digital ones too. it's just a given -- you've got a piece of cloth, controlled by several pieces of wood, striking one or two or three pieces of metal - way more moving pieces, way more air, way more texture being thrown into the mix than the digital setup. everybody claims to be repping 128 levels of everything, but it never feels/sounds like more than 16 or so...
as far as how my playing technique is affected by the digital setup - it depends. usually the pp ends up being mp and the fff ends up being f. trills go out the window. generally end up with a harder, more percussive set of movements that work ok for the sort of music that i've been recording but make classical music sound sort of clunky and leaden. any sort of nuanced pedaling goes away too - that shit's just off/on.
that said, my playing technique is more affected by my not playing/practicing seriously for the last ten years...
the pianobar seems like it would be amazing in terms of capturing dynamics & more accurate expressiveness... can't really justify the price right now though...