Claytron wrote:Wow. Just... wow.
As the mods can clearly tell, I am posting this message from sunny Denver, Colorado. I have just returned after a one month vacation / business trip to Chicago. Full disclosure: I am both friend and customer to Fred Mangan. Not that any of that matters. I am entitled to an opinion, and here it is.
First of all, the supposition that kitsch in any way detracts from playability, clarity, tone, etc., is presumptuous and inane. Steve Albini may think so, but he's mistaken. That's not so surprising, but really, I guess I'd expected more from such a thoughtful guy.
But you know what else is laughable? Steve Albini - yes, *the* Steve Albini - calling absolutely anyone else a prick. Hey, Steve, I've met you a few times, and we have loads of mutual friends and acquaintances. You wanna know something? Most of them think you're a prick, and so do I. I've never liked you, frankly, and I wouldn't let you produce my records if yours was the last overpriced, categorically overrated studio on the planet. Also, Kurt Cobain once told me that you were the most needlessly pretentious jagoff he'd ever met. Well, I'm paraphrasing, but you get my drift. Seriously. Dig it.
For the record, I've played many guitars over the years, and worked with many outstanding musicians. G-Thagoras is one of them. And lots of my musician friends know Fred to be not only courteous, but also extremely gifted. I can't imagine that it's too easy to construct a virtually noiseless bass out of an aluminum clock face, using a .38 revolver as the bridge. But what do I know? Aside from the fact that Steve Albini twitches in righteous indignation any time anyone questions his alleged greatness. And the fact that Big Black sucks.
However, it is always possible that the person posting as Steve is really one of his interns. After all, one might reasonably expect that he'd let one of his subordinates take care of things over here, seeing how that's how he runs his recording business. Go jerk off on a reel-to-reel or something, you oligophrenial ponce. You analog-loving crybaby. And then learn to listen to something before you attempt to utterly dismiss its sonic integrity.
Funny that so many people think you've got such a great set of ears. You've just proven to everyone here that if something's kitschy, you don't give a second thought to what it sounds like. Real professional-like, see. Hell, without kitsch, no one would even remember Roy Smeck, not to mention Rapeman.
Anyway, back to the point. When Fred told me that he'd sold the clock / revolver bass for $400, I almost strangled him. It's a piece he could've gotten at least two grand for, no question. Many musicians think that his work is spectacular; members of the Melvins, Planes Mistaken for Stars, and yes, even Queens of the Stone Age. Ask yourself, what does Steve Albini know? Having never played one of Fred's guitars, I am inclined to believe that he knows quite a bit less than he "thinks" he does.
But of course, when you get as much lip service as Albini or Paris Hilton, you're bound to start thinking you're Christ Incarnate. Excelsior!
Man this guy's giving me the
Douche Chills.