Fred Mangan Guitars
301Rumour has it that Gaytron will mash Hendrix' and Whitney Houston's versions on the National Anthem for tonight's Rockies / D-Backs game.
pro-tools is for amateurs
Moderator: Greg
Yngwie Einstein wrote:He already said he is a mash-up artist.
steve wrote:That was the other him that was into mash-up. This him thinks it's mundane.
Marsupialized wrote:Thank you so much for the pounding, it came in handy.
steve wrote:That was the other him that was into mash-up.
Zachary E. wrote:He once told me that his dream in life is to make a guitar out of the Empire State building. He went into elaborate detail about how he would do it, re-wiring the elevator shafts, attaching inch-thick copper cables to the sides of the skyscraper, etc. When it was completely finished and ready to go, Clay, dressed like Roxy-era Eno, would fly in on a helicopter, rappel himself towards the cables, and, in a dramatic Townshend-esque windmill, swing himself from side to side as he plucked the cables with a golden pick the size of a pizza delivery box.
Claytron wrote:Yngwie Einstein wrote:He already said he is a mash-up artist.
Actually, he said very specifically that he wasn't a mash-up artist. He hates mash-ups.
Wikipedia wrote:The Beachles Sgt. Petsound's Lonely Hearts Club Band is a track-for-track mash-up of The Beach Boys’ Pet Sounds with The Beatles’ Sgt. Pepper's Lonely Hearts Club Band by Clayton Counts, posted on his blog. It received favorable mentions in Entertainment Weekly and USA Today, as well as blogs around the world. Sometime around September 8th, 2006, Counts received a cease and desist order from EMI's attorneys. Notably, the letter included a demand for Counts to hand over the IP addresses of everyone who downloaded or streamed the songs, even if they were streamed from one of the hundreds of other websites linking to them. Counts removed the songs, but refused to give up the IPs and fired back with a lengthy missive on his blog.[1] This prompted a response in the alternative press, in addition to further exposure from news outlets such as the Associated Press and Rolling Stone, which resulted in a letter-writing campaign and a boycott of EMI and Capitol Records on behalf of Mr. Counts.
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