tmidgett wrote:vockins wrote:tmidgett wrote:In the case of JB, he had a much more businesslike relationship to what he did than anyone else we're talking about, so that affects things. But he also invented funk, which also affects things
James Brown is in another
universe from anyone mentioned in this thread, or any other thread.
Yeah, I was speaking only to the emotional breadth of his songs.
My point being that emotional breadth is irrelevant when you actually invent funk and transform popular music in the process. He had well done his work by that point.
And Soul! James Brown invented Soul! Quite literally Soul Brother Number One. Some might say Ray Charles on that. I say James Brown.
You could make entire records of just the basslines or just the drum breaks....Ah, people do this already, don't they?
Fuck, my friend, you could make entire
genres from that shit! Entire gigantic sections in record stores that owe their existence to James Brown. I can think of two! And I'm probably not thinking of one!
I don't know, I'm probably giving him short shrift even on that point. It's a Man's Man's Man's World, Try Me, etc.
Please, Please, Don't Go! That is some grim shit!
I guess what I'm getting at is that he was a showman much more than anyone else we're discussing, except Prince maybe. And as a showman, he tended to work with a pretty wide brush on the emotional front.
Prince is good.
Prince has a lot of work to do.
James Brown is the most influential musician of the 20th century. It's not even close. Dude is
everywhere.