fuck this in its hairy asshole

5
areopagite wrote:"How about tuning the guitar AFTER the recording has been made?"


What an FFT monster this has got to be. I'll bet it'll only run on an 8 core box.

I would imagine there is some sort of adjustable threshold arrangement required to sort out the individual pitches. Fucking with that threshold is where the abuse/creativity is going to arise. If it really works it scares the shite out of me.

OK, imagine a timbre with a high harmonic content. For example a distorted guitar may have all sorts of harmonics and heterodynes that could be actually extracted as an individual pitch adjustable components of a chord.

What about using it on ringy snare, tom or a ride cymbal played on it's bell.

Maybe you could use it to tune the "room tone".

What gawd awful things you could do to samples of doowop, Beethoven's 9th, Simon & Garfunkle or the Weavers.

Listen for this thing in a horror movie coming soon. Blood curdling screams will never be the same.

I'll bet you could break that thing with a bagpipe or Joe Cocker though.

fuck this in its hairy asshole

9
stephensolo wrote:Sometimes I add keyboard tracks to songs and I’m a very poor piano player; it’d be cool to be able to fix a miss-hit key, assuming I didn’t decide I liked it that way, without having to keep playing until I got it right or to punch in.

I’m sure it’ll be abused, like anything else.

Not crap.


shredphones wrote:"meedee."


No?
I walk these streets, a loaded six-string on my back.

fuck this in its hairy asshole

10
I saw this yesterday. It's fucking brilliant. Especially from an engineering standpoint.

I don't care about polishing vocal tracks, I like it when singers are off key(anyone said Andy Cohen?). Anyhow, it's amazing and I'm sure it's going to be useful for people who make electronic music and want to fuck up their stuff even more.

Not Crap, not crap at all.

Who is online

Users browsing this forum: No registered users and 2 guests