stephensolo wrote:Some of my most miserable professional experiences as a musician come from dealing with a bad sound guy.
Unfortunately you live in Tampa where most of the sound guys are holdovers from the glory days of the Tampa metal scene.
m.koren wrote:If he tells me to turn down, I know it's going to be a lame show.
You have to understand, there are certain scenarios where the stage volume can get a bit overwhelming. It is, of course, the sound guy's job to make the band happy but it is really hard to accommodate the wishes of the band when twenty of their friends are yelling at you because they can't hear the vocals over your pegged 100W tube head. As a general rule, I never ask bands to turn down unless there is a
really good reason. Things are different when I am working for a band, not a club, though. Depending on the type of music I may ask for a bit more control and, as a result, a little less stage volume.
There are many different types of sound guys just like there are many different types of bands. Imagine the ratio of good to crap bands the sound guy has worked with over the course of his career. Now imagine the ratio of good to crap sound guys you have had to work with. Chances are his numbers are much, much lower. This might help to understand the attitude some sound guys take towards bands, although it does not make it excusable.
Shake his hand. Say hello. Don't act like a rockstar. There is no reason to be smug. I guarantee it will go a long way.
Jon