dontfeartheringo wrote:You guys are going to think I am a lunatic for saying this, but I actually start at the piano if I am in the studio- I tune the top and bottom head of the rack tom to the F above middle C if it's a dark sounding drum, of the F below middle C if it's a really bright sounding drum. I leave the bottom head that pitch and adjust the top head up or down, depending on feel and tone.
Then I just go down the drums in thirds, bottom head first, then top head, then adjust. So, they'd go:
13" rack tom: F
14" rack or floor/16" floor: C
16" floor/18" floor: G
18" floor: D
You get the head on and get it pretty close by feel, then place your finger lightly in the center of the drum (don't press) to get the harmonic tone and tap the head right in front of the tension rod. Match the pitch at each of the tension rods to the pitch of the key on the piano.
I like to keep toms in thirds, but you can do fourths or fifths if you'd like. Just make sure that when you hit them that they have a correct interval and make a little two note chord. That way when you play "Nub" is sounds like Mac's drums.
I like to start the snare drum about half way to "I can't turn this lug any more" and then tighten it up evenly until it sounds right. Unfortunately, this is something i haven't pitched on the piano, so I'll either have to show it to you in the video or you can work it out on your own.
Very Interesting.
I have paid good money to the likes of Ross "the drum doctor" and Gersh from Drum Fetish and my usual tuner/drumer Matt O'Conner and many other tuners and I don't recall seeing any of them tune drums this way.
I would like to experience your strange and exotic drum tuning ways first hand.
I'm really actually jealous that you can tune drums well yourself. I'd like to never have to pay another drum tuner but sadly many drummers can not tune a drum worth shit. And sometimes it money well spent.