Marsupialized wrote:Skronk wrote:Love you too. But come on man, those six songs are just better. The dynamics, the tension. You couldn't get that with the JL.
You are fucking insane.
TJL has plenty of tension, but it doesn't have much to do with dynamics. Their go from maybe mezzoforte to really loud, with some silences thrown in. Slint has the fullest range.
Not that there's any reason for TJL to play softly or have long one-note timbral guitar solos or play an instrumental song with no climax.
McNeilly and Denison are among the best at their instruments, but they're not revolutionary. Walford and Pajo wrote a new book with
Spiderland. If you don't enjoy that book, fine, but for me it's such a kick to listen to Slint because the musicians make so many decisions out of left field, and it almost always works.
I should stop here, but I was surprised to see people picking Mogwai in a poll of them vs. Slint. Mogwai is often a caveman version of Slint. Slint gets from quiet to loud with sensitive playing, cymbal washes, groove, slight chord changes, and so on. Mogwai uses the "Sudden And Predictable Violent Distorted Guitar" strategy, and Slint knows better.
chrysler wrote:The home page says "Welcome!", but the message board sometimes does not.