60
by mrarrison_Archive
Goat.
As I grow older, Spiderland and the speak-talk, plinky guitar clean/soft distortion pedal juxtapositions on it prove less listenable as time goes on. Yes, Slint's once grand entry into the halls of mr.arrison's rock hall of fame were soon tainted by the legions of sub-par copycats ("boat-rock", "mogwai" etc.) and then destroyed by seeing the "legends" perform live, appearing bored out of their skulls 14 years later. All of this has the effect of watering down the original masterpiece.
I can't make it through Don, A Man. Turn it off. Were there really like four people on stage playing this song live? WTF? (OK, admittedly it was neat to hear that second guitar fade in from the side of the stage)
The rest of Spiderland is a great. Too bad I rarely want to listen to it.
TJL influenced bands were usually easy to ignore, or just different enough they mutated into something else unique in their own right (i.e. Shellac, Uzeda, Shorty, etc..) And most of them seem to use Liar as a reference- a more brutal, balls-out Jesus Lizard!
That said, Goat is untouchable. Even bands that try to sound like TJL can't get close to this. They either get too man-rock, too grotesque or too brutal. You see, Goat swings and has ambience to it. There's not a bit of metal on this. It's ROCK. It walks the tightrope of all things ugly and beautiful and never falls. It has songs that are better than others, but not a single clunker.
guitar arpeggios and rock riffs: Gold +10
tasteful borrowing of birthday party/blues/jazz/rockabilly constructions: amazing.
drum patterns: sick
bass lines: absolutely nail it home every time.
vocals: just perverse enough to make you cringe and scratch your head.
engineering: great use of space, huge drum sound, amazing guitar sound.
A solid, perfect record.