The Holy Grail of Microphones for this application is

3
Overheads- Good ribbon mic- (royer or other good quality)
Snare- Altec 175 or Shure KSM 141
Hat- don't use-
Toms- ATM-405 or e22 or SM7
Acoustic guitars- Some kind of good LDC or sometimes a good dynamic- they all sound so different so it really varies- Lately I've been using a pair of russian CMV-563 knock offs I got last year that sound really good-
Guitar clean/dist -Lately I've been using RCA74b and Lauten FC-357 Clarion-
Bass- Beyer M380 or TX-50
Vocals Soft or normal- Best Tube LDC you can get your hands on- Here we have a U47 and a Soundelux 251
Vocals- Hard/cookie monster- SM7
Piano- best pair of LDC's or SDC's you can get your hands on- we don't have a working piano so I have not mic'd one in a few years to be perfectly honest. The last time I did mic one it was a pair of AKG 414's
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The Holy Grail of Microphones for this application is

5
otisroom wrote:Overheads- Good ribbon mic- (royer or other good quality)
Snare- Altec 175 or Shure KSM 141
Hat- don't use-
Toms- ATM-405 or e22 or SM7
Acoustic guitars- Some kind of good LDC or sometimes a good dynamic- they all sound so different so it really varies- Lately I've been using a pair of russian CMV-563 knock offs I got last year that sound really good-
Guitar clean/dist -Lately I've been using RCA74b and Lauten FC-357 Clarion-
Bass- Beyer M380 or TX-50
Vocals Soft or normal- Best Tube LDC you can get your hands on- Here we have a U47 and a Soundelux 251
Vocals- Hard/cookie monster- SM7
Piano- best pair of LDC's or SDC's you can get your hands on- we don't have a working piano so I have not mic'd one in a few years to be perfectly honest. The last time I did mic one it was a pair of AKG 414's


Oh "holy grail"

These aren't holy grail. These are just my current preferences. Sorry I read this wrong.
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