Mic Palcement

3
Other than a few laws i guess is the best term for them, I don't really have any techniques, you kind of just have to find where everything sounds the best. If it doesn't sound great try something else. A lot of inexperienced engineers get all hung up on the things they don't know when most of it is just trusting your ears and they're really aren't any specific rules.Here's a good place to start: Stick a finger in one of your ears, close your eyes, stick your unoccupied ear in the general area of what is to be recorded, stop where it sounds the best and stick a mic there. Like I said it's a good place to start but not necessarily going to guarantee you the best possible sound, your gonna have to work with it. Experiment! Another thing, next time give some more details, it's hard to give advice when alls you have to work with is I've got 9 mics and a roomHope this helps,-Barrett

Mic Palcement

6
bleh. wrote:i usually start by pointing the mics more or less at the instruments they are recording, then moving them around until they sound goodI've been trying this for a while, and I'm completely exhausted from moving these heavy amplifiers around so much. There's got to be an easier way to do this.

Mic Palcement

10
blue\_thunder wrote:stupid\_life wrote:How do you properly position microphones on a Rock Band(TM) drumkit? Any tuning suggestions? Microphones? Just slap SM57's on everything? Beyer 401's?I'd stick a U47 on each drum. That should do the trick.Great to get advice from the pro's! All the mic palcement secrets are revealed!

Who is online

Users browsing this forum: No registered users and 0 guests