Somewhat relevant to topic I guess, but....the tip of the iceberg that is the amp collection at God City Studios in Salem. Every time I see this photo, I feel funny:

Squire 15
Fender Champ 25se (stolen by friend who nailed my ex-fiancee)
Fender Concert (still use for small shows and recording)
Fender HotRod Deville (out to pasture. Lent to bandmates in crappier situations)
Fender Super Amp (not a Super Reverb. I love this thing.)

Traynor YGM-3 (Ditched it early on, should have kept it, bought another one 20+ years later)*Crate Blue VoodooMarshall JMP 2204Sovtek Mig 60 Soldano Avenger*Fender Bassman (Silverface)Park 100W*Modded Bell & Howell Film-o-sound*Not as many as I thought! The Soldano is the main live beast and the Park is the main recording beast. Bought a YGM-3 because I missed the one I had originally and I wanted something clean with reverb.The Film-o-sound is 12 watts of fury. Link Wray in a box.

Kyle Motor wrote:Guitar:Crate practice amp (G15?, still have, busted)72 Gibson G40 (still have, a little wonky)65 Fender Deluxe Reverb (original, still have)73 Fender Bassman 50 w/tall 2x12 (main amp, but broken a lot lately)Marshall 100W JMP reish (borrowed, used in place of busted Bassman 50)Bass:73 Fender Bassman 50 w/2x15 (head relegated to guitar duty)Kustom K200 w/2x15I'd really like a 100W Marshall Super Bass or Lead, or a Traynor YBA-1A, but I won't be able to get a damn thing until I get more money.DANG just about a decade ago! I've since gotten a Traynor YBA-1A and I barely ever use it because I love the Bassman 50 so much. Over time I've realized whenever I play something else I try to get it to sound like the Bassman 50, and nothing else quite gets there. The Deluxe Reverb gets used a lot for recording, and the occasional "quiet" gig, where I'm still yelled at for being too loud. I have other oddball combos that get used for recording now (60s Ampeg Jet, Flot-A-Tone combo that somebody chopped into a head), but the Bassman 50 is still king in my world.

I think this is about it. My dad played guitar and had some nice stuff, so a lot of the stuff I played on growing up was his or was on loan from his friend. This is all the stuff I ve actually owned in rough chronological order. I m not even going to try to list the cabinets. Peavey TKO 115No-name Japanese 1x12 tube amp from the 60sBoss headphone amp thingMesa-Boogie D180Marshall JCM-900 SL-XMarshall 3530 Silver Jubilee bass ampTraynor YBA-3Fender Studio BassAmpeg B-25Ampeg V-4BTraynor TS-15*Musicman HD-130Traynor TS-10*Traynor TS-75*Hiwatt Lead 50Randall Switchmaster*Fender BassmanAmpeg GeminiGibson GA-6 x 2* (one stock one modded to a 5e3 type circuit)Gibson GA-30GK 400RBGarnet Lil Rock Mach 5*Garnet Pro*Traynor YBA-1*Fender Super Reverb*Balls AC30*Ampeg V-2* *=still have

tallchris wrote:* indicates what I still own:Epiphone solid state crap comboVox Pathfinder 15Music Man 112 65*GK 400-RB*Ampeg V4-BSovtek Mig 50Guild Thunderstar BassTraynor TS-50B*Fender Bassman (AA864 circuit)Ampeg Jupiter*Montgomery Ward 8420*Marshall Super LeadAmpeg VT-22*Marshall JCM800 2204Traynor YBA-3Tweed Deluxe clone*Orange AD30-HTCNo longer have these:*Montgomery Ward 8420*Marshall Super Lead*Marshall JCM800 2204*Orange AD30-HTCBut I've gotten these since the last post...honestly can't remember if there are a couple I'm forgetting:Marshall JTM45 reissueMarshall JMP 2204Fender Champ (silverface)Verellen Meatsmoke (200 watt)Could honestly stand to move the JTM45 and the V4-B (which needs some work and has sat unused for ~5 years).

Tommy wrote:Current main amps: Balls V-30P + Noble 214* = I still have itBand/Gig Amp:Fender Pro Reverb (silver)Fender Bassman (black)Fender Bandmaster (black)Fender Tremolux (blonde)Fender Bassman (blonde)*Ampeg V-4*Orange OR120*Balls V-30PHome Amp:Crate G-20Peavey Bandit 65Fender Princeton Revberb (silver)Laney Linebacker 50*Fender Princeton Reverb (black)Fender Super ChampFender Tremolux (tweed)*Noble 214 Tonemaster Troubadour (Magnatone 213A)Other amps owned that never made it to "main" status:Marshall 2204Fender Priceton Reverb (silver) #2Fender Princeton (silver)Marshall 4104Fender '65 Deluxe Reverb (reissue)Fender '65 Twin Reverb (reissue)Fender Bandmaster (blonde)Ampeg B-15SAmpeg V-4BPeavey MusicianAmpeg B-25Mesa Boogie D180Marshall JMP 50*Peavey VTM 60Updated.

*still haveGorilla TC-35Red Knob Princeton ChorusJC-120 #1JC-120 #2some little bass amp covered in fuzz*one of those tiny MarshallsSome Crate or otherLaney Protube 30W Combo*Barcus Berry SXL-15*

My personal amplification journey:1. dumb2. dumber3. more dumber 4. most dumbest ˜Cause you know, the grass is always greener and the next amp is always better. I ve bought, sold and traded an arguably œdumb amount of amps in a valiant attempt to distract myself from actually making music.

Most of these are fix-n-flips, but I've at least owned them and played through them.* = still haveRandall RB-120Peavey Monitor Series 260Fender BXR 300RPeavey Triumph 60Leslie 825 *Epiphone Valve Jr *Acoustic 160National GA920PEico 147A converted to a 5C1 Champ *Ampeg B-15N *Sears 5XL (Silvertone 1420)Laney VC30 *SG System SG-100Peavey Musician 400 SeriesGallien-Krueger 800RB *Electro Harmonix Mike Matthews Dirt Road Special *Gallien-Krueger 800RBSunn Alpha 112Ampeg SVT 4 ProGallien-Krueger 800RBTraynor YBA-1A *Sunn Beta BassAmpeg SVT 7 ProEden WT-600SWR SM-900Ashdown ABM500 EVO IIITrace Elliot V-Type 115 ComboOrange TH 30Sunn Concert Lead (x2)Ampeg SVT-IIPRocktron Velocity 300Rocktron Mainline 300Hiwatt Custom 20 *