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by TylerSavage_Archive
bishopdante wrote:tarandfeathers wrote:Audio quality is not as much of a concern as directionality (no actual audio from the mics will be heard, they are strictly for generating control data for other sound sources in response to sound happening in the performance spaceAnother option for achieving localised pickup is a piezo element, either used as a contact mic coupled to a sound-emitting or vibrating object, or as a microphone coupled to the airspace.You can also achieve extremely directional response with parabolic lenses as used by wildlife recordists, which accept conventional microphones of various patterns, eg: https://www.wildtronics.com/parabolic.html#.W-Fst2mnw0M not exactly the least invasive solution, since the dishes are similar to the diameter of a kick drum, but it might be possible to design a physical object which also works as a ceiling mounted light or similar, if you want highly localised sound pickup areas as part of an installation.If you are looking for control data, you could look at designing acoustic lenses of various sorts which don't sound particularly clean but could produce performance where you need it. Could likely build a shotgun or lens type system using off the shelf chinesium dynamic or electret elements and foamboard/tough cardboard tube (see electrovoice's 6ft long shotgun mics from the '50s for reference eg EV643).If you really need indestructible and electronically simple, the 18"long dynamic shotgun EV 644 might be worth investigating. Not ultra high fidelity sound quality but very mechanically solid, polished aluminium and chrome plated top to tail.Might be way less hassle to get a couple of cheap broadcast type electret shotgun mics.I love this guy