Re: How we make experimental noise

23
Great thread! Very inspirational!

I have been doing more with plugins and software during the pandemic. Nothing too technical as I don't know how software actually works; I'm just messing around with plugins.

Software I've used a lot recently:
VCV Rack - all purpose modular software
ReaCoMa - mangle audio samples in Reaper like this.
Destroy FX plugins - Jonny Greenwood buffer effects
Emergence granular synth - for evil ambient
MIDI Guitar 2 - play virtual instruments with a guitar
Amplitube 4 - amp modeling and guitar effects

A fun thing I've been doing is using MIDI Guitar 2 to send the guitar notes that I'm playing live as MIDI data to Kontakt which is running a drum module. I have a MIDI plugin before the Kontakt plugin that takes each pitch I play and randomizes it. No two notes on the guitar will trigger the same drum sample. Then I play a phrase, save the drums, erase the guitar and write a new riff to the drum track. Rinse and repeat. It's been great for generating weird grooves and ideas, though you do need a good CPU to get the latency down to an acceptable level for live use.

Any software that can help generate randomness, but with the ability to reign things in a little, are what I'm all about. I imagine MSP is next for me, I just need to sit down and experiment with it some more. If anyone has any starter tips, I'm all ears

I'm also really intrigued by Elk OS, which I found out about on this forum. I just need to get a soundcard for my Raspberry Pi.
Mooner | Gerund | The Ugly Bishops | Solo

Re: How we make experimental noise

24
twelvepoint wrote: Thu Oct 21, 2021 12:37 pm
That is awesome. Care to describe what's under the hood there? If it's a trade secret I understand!
It is 8 simple square wave oscillators made from Schmidt Hex triggers (probably CD4584's but I cant remember). They are wired so you can set the volume and tune each Osc, and either let them drone free or flip a switch that sends them through the momentary switches to be played like a keyboard. They all get mixed through a master volume and master kill switch at the end. It is a box of really angry bees. Fun to build because from a single 14 pin dip you get 4 oscillators using only a single cap and pot for each OSC. Mega cheap easy way to make racket.
Image
Was Japmn.

New OST project: https://japmn.bandcamp.com/album/flight-ost
https://japmn.bandcamp.com/album/numberwitch
https://boneandbell.com/site/music.html

Re: How we make experimental noise

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Dudley wrote: Thu Oct 21, 2021 12:49 pm That rules! Great work.

The angle the clip was shot at made the roll of tape (?) look like the gadget had a weird guitary shape with a cutaway - took me a moment to realise it was a roll of tape.
yeah, tape. I think it was just propping up my phone.
Was Japmn.

New OST project: https://japmn.bandcamp.com/album/flight-ost
https://japmn.bandcamp.com/album/numberwitch
https://boneandbell.com/site/music.html

Re: How we make experimental noise

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I'll add another for people that use VST plugins for weirding. On my last record, I used this weird plugin called Stochas to generate a bunch of weird beats and melodies. It's a sequencer that uses different if this than that setting to great rhythms and patterns. It's a fun one. Sometimes I just let it go wild for a while and make loops out of the more interesting parts. I think it is still free too.

https://stochas.org/stochas/
Was Japmn.

New OST project: https://japmn.bandcamp.com/album/flight-ost
https://japmn.bandcamp.com/album/numberwitch
https://boneandbell.com/site/music.html

Re: How we make experimental noise

27
Kniferide wrote: Thu Oct 21, 2021 2:08 pm
twelvepoint wrote: Thu Oct 21, 2021 12:37 pm
That is awesome. Care to describe what's under the hood there? If it's a trade secret I understand!
It is 8 simple square wave oscillators made from Schmidt Hex triggers (probably CD4584's but I cant remember). They are wired so you can set the volume and tune each Osc, and either let them drone free or flip a switch that sends them through the momentary switches to be played like a keyboard. They all get mixed through a master volume and master kill switch at the end. It is a box of really angry bees. Fun to build because from a single 14 pin dip you get 4 oscillators using only a single cap and pot for each OSC. Mega cheap easy way to make racket.
Image
That's really cool. I'm looking at some kind of pulse generator to control a stepper motor, which spins a typewriter platen. I'm thinking arduino as the generator needs to react to some other variables, but a simple square wave circuit might be viable as well.
he/him/his

www.bostontypewriterorchestra.com

Re: How we make experimental noise

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twelvepoint wrote: Thu Oct 21, 2021 3:28 pm
That's really cool. I'm looking at some kind of pulse generator to control a stepper motor, which spins a typewriter platen. I'm thinking arduino as the generator needs to react to some other variables, but a simple square wave circuit might be viable as well.
People use these circuits as analog timers all the time.
Was Japmn.

New OST project: https://japmn.bandcamp.com/album/flight-ost
https://japmn.bandcamp.com/album/numberwitch
https://boneandbell.com/site/music.html

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