Re: Small questions that don't fit anywhere

543
kokorodoko wrote: Tue Dec 28, 2021 2:47 pm What are "tells" that someone is playing with a capo? Song examples?
Open sounding chords that are too high to be in standard position? Like the voicing of a 1st position C major but its a D#. I think it is silly when people get hung up on people using a Capo. Not that you are, just brings the conversation to mind. It's just a tool to change the voicing. It's not "cheating" in any way. People that think that probably have it on vinyl and think the first record was better... all the time.
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Re: Small questions that don't fit anywhere

544
kokorodoko wrote: Tue Dec 28, 2021 2:47 pm What are "tells" that someone is playing with a capo? Song examples?
It can be really hard to hear, especially if you're not playing along. A lot of the chords they'd be playing capo'd you could make with some effort, until you'd realize there's a voicing that's difficult or impossible without it (like a C shape, or a D shape).

As a listener, there's not really an obvious tell. It just puts a songs key somewhere in particular and makes it physically easier to play more chords in that key.

I know more folky stuff with a capo: Uncle Tupelo- Black Eye, Bob Dylan- It's All Over Now Baby Blue.

Re: Small questions that don't fit anywhere

546
On training your ear to pick up on that something involves a capo -

(Most of this stuff dawned on me back in the "You've got cassette/ghetto blaster/your ears..." days.)

Kooky as it will sound? The Van Halen tune "Summer Nights" was a pretty legit "Buddy gets a clue..." moment when I finally read about exactly how Eddie had recorded the guitars. Way back in the dark ages, a company named Steinberger made this floating bridge assembly called the Transtrem. In addition the that it could raise/lower strings at the same rate(as opposed to a Stratocaster...), it could raise or lower all of the strings then "Lock..." everything at the new lower or higher pitch.

If you raised all of the strings? It essentially worked like a capo with the advantage of your open strings still actually being open.

Eddie played the intro with the bridge locked up three frets(minor third...) sounding in F Major while playing everything in open position D Major Shapes. After the intro? Drops back down to standard tuning with the whole thing actually being in D Major.

Here's a "Cover..." video that replicates it with a capo. Pretty good way to get your ears acclimated to hearing when things are higher up the neck.

Re: Small questions that don't fit anywhere

549
Then, you gotta develop ears for when somebody is making a play along the capo line but a capo isn't actually involved.

(Forgive the example here. It's just the most obvious one that I can thing of...)



Nuno is obviously just sliding the same shape up to E Major while letting to open A and D strings ring out underneath said E Major.

(Just about sure that the Wilco number "Sunken Treasure" does the exact same thing - maybe minus the high E string? - before shifting up another whole step past that E Major.

Moral of the story?

If the open strings are still in play, it would have to be a mighty sneaky application of the capo.

Another example of this is shifting that D Major/E major shape way up to a G Major shape when you are playing the Dinosaur Jr. number "Not You Again"



Since everything else clearly does not involve a capo? It's J. trying to pull a fast one.

Like so...

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