Anthony Flack wrote: Wed Oct 05, 2022 4:38 pm
I think the main thing that is different in the 21st century is that if you look for something, you will find it.
I also think all artists start out derivative and find their own thing over time, and it was ever thus. Art will always be reinventing itself.
Agreed.
But most rock music I think of is a matter of tweaking something old. The good stuff is just interesting or particularly well executed. It's kind of a self-elegizing thing since near the beginning. Like after they weeded out the black people who got it all started. Okay, okay, they pop up in the introductory essay, but the grand self-replication of commercial white rock tends gobble up the picture. I don't want to get into a rant about the racial convolutions of Clapton-esque shit-baggery that permeate rock history. It's beyond me to really grasp it.
I was a kid through the 80s and early 90s, so I only experienced "new" rock music as either abominable "innovations" (like nu-metal or whatever), retro (the 90s were super retro) or already 20 years old. I had to get to the cool 80s stuff by digging through what bands like Nirvana talked about liking in interviews.
I'm not too worried about all this. I'm not big on genres as hard lines anyway. That said, this century, most of the stuff I like has just been digging in or hyper-fixating on either very niche aspects of rock or a very narrow aspect of it. Those explorations can be good or bad, but I like some of it. Like, Sunn O))) didn't invent anything, but I've learned to appreciate that ultra-magnified thing they do. Of course Earth did it back in the 80s, but whatever I guess. Post-Rock is kinda silly, but yeah, dynamics like that are worth a good zooming in on. (And the older and more sober I've been the last decade, the more stoner my tastes have become. Whether that is mere retreat into soothing is a legitimate but different question.)
I mean, Rock has become a boutique entity. The modern internet has facilitated this. You can have entire micro-genres dedicated to whatever rabbit hole tickles your pickle. This suits me fine. Sure there are lame parts, and it can be easy to find the gems among the abundance of options. Retrospective indulgences are also a part of the boutique experience. Just last night I couldn't sleep to I went to You Tube and put on something from Les Rallizes Dénudés. Then, as I was settling down to sleepy town,
this, whatever it is, came on. And I liked it. I can't complain about that too much.
I don't know where shit bands like The Strokes fit into all of this, but I don't care about them at all. They might even be dead by now or all married to republican heiresses for all I know. Anyway, the 90s lie of making odd or underground music a regular feature of the mainstream did not pan out. I am glad to be able to see good bands in a club setting. I never feel like I missed out by not seeing Aerosmith in an arena. If you do, then I'm sure the Foo Fighters will cover "Sweet Emotion" for you if you pay them enough.