So onetime FM sleepkid invited me to come see his Electric Deer Guitarworks in Japan. Last week I was in Tokyo for work, and caught the train heading north for about an hour to go visit his place. He took me to lunch with his hilarious daughter and then I visited the Electric Deer works itself, in a special workshop at his home. Let's just say my mind was blown - the amount of boutique, historic and beautiful-sounding gear was just too much to take in. Sleeper tube amps from Teisco in the 60s, Royal Super Bunny artillery-grade lead and bass amps, Voice, Mory, Guyatone ... even the last-ever Voice amp customised by Saito himself to my host's request - after a series of interviews preserving his story, amid the muddy history of Japanese guitar making from the big companies down to the individuals winding pickups in their kitchens. Oh and sleepkid plays as well as he restores things, so it was a bit of an eye opener when he fired up the Voice (Singing Electric) through an old Teisco cab and let rip on a handy Mory.
Being the guy he is, he had even saved me a bit of a lost cause guitar: a pretty 70s offset from the era when Kawai were buying up parts stock from Teisco and others, slapping them together into instruments and throwing them out the door. This Concert is going to stretch my limited skills but it'll be worth it I hope.
So far I've used the aluminium foil trick to polish the chrome parts - for those of you who haven't seen it, crumple a small wad of aluminium foil and wet it with a little water. It will scrub corrosion away with the greatest of ease and leave the chrome polished, and can't scratch it either. Apparently the scrubbing exposes fresh aluminium which the water oxidises, forming the finest Al2O3 polishing grit.
Next: the bridge, which is hanging the strings up around 6mm above the fretboard despite a hefty shim. I have a tune-o-matic / ABR bridge from the Jag I bought last year, I think a solution is forming.