Re: Home Studio Guide

31
bigc wrote: Thu Nov 10, 2022 11:55 am As usual, having a tough time figuring out where this belongs, but it's a home studio question, so here makes sense.

I'm recording guitar and drums, both playing live. I'm running two microphones (SM57 and AKG C1000) into a Focusrite USB interface, then running that into Reaper.

Which mic should I use for which instrument? I currently have the SM57 on the guitar cabinet, and the C1000 as an overhead on the entire drum kit.

Where should I place the drum overhead for best balance/sound?

I realize that the simplest answer is 'try it multiple ways and see what sounds best', but I want to know if there's a generally accepted practice for this kind of recording setup.

Thanks!
For my taste:
I favor my overheads closer to the floor tom, as I feel it loses some presence if centered over snare. Not that it would apply to your mono situation, but I also rotate the pair so the L-R image is in line with the rack/floor lineup, and not the traditional "perpendicular to the kick drum's heads" setup.
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Re: Home Studio Guide

32
Just so I'm clear the original post was that one mic is for the guitar and one mic is for the drums so you can record both simultaneously, correct?

If you are doing two mics on the drums, I agree w/ FM 12pt & want to consider positioning closer to the floor tom. Snare and cymbals will be the least of your worries. Still real tricky.

Re: Home Studio Guide

33
bigc wrote: Thu Nov 10, 2022 11:55 am As usual, having a tough time figuring out where this belongs, but it's a home studio question, so here makes sense.

I'm recording guitar and drums, both playing live. I'm running two microphones (SM57 and AKG C1000) into a Focusrite USB interface, then running that into Reaper.

Which mic should I use for which instrument? I currently have the SM57 on the guitar cabinet, and the C1000 as an overhead on the entire drum kit.

Where should I place the drum overhead for best balance/sound?

I realize that the simplest answer is 'try it multiple ways and see what sounds best', but I want to know if there's a generally accepted practice for this kind of recording setup.

Thanks!
https://bobbyowsinskiblog.com/drum-kit-single-mic/

I've personally had the best luck with method #2, but I was using a large diaphragm condenser, not a small.
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Re: Home Studio Guide

34
Garth wrote: Thu Nov 10, 2022 1:00 pm Just so I'm clear the original post was that one mic is for the guitar and one mic is for the drums so you can record both simultaneously, correct?

If you are doing two mics on the drums, I agree w/ FM 12pt & want to consider positioning closer to the floor tom. Snare and cymbals will be the least of your worries. Still real tricky.
Yes - one for guitar and one for drums.

Thanks all!

Re: Home Studio Guide

36
bigc wrote: Thu Nov 10, 2022 2:05 pm So there's no obvious preference for which mic to use for which instrument?
I'd most likely go w/ the condenser on the drums & the 57 on the guitar cab like you planned to begin with.

If you can do 2 on the drums, prob put the 57 on the kick, AKG for overhead.

Also, I think the method I was describing was very close to what is listed as #3 in the site cited by FM Tommy.

Choice #4 actually might give you a fuller picture of the whole kit by treating it as a room mic, but you're going to be dealing w/ a lot more room acoustics that way which could be good or bad. Certainly worth a try if you've the time.

Re: Home Studio Guide

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numberthirty wrote: Thu Nov 10, 2022 6:54 pm
I do love this sausage/heart placement with a 57 for quick and easy practice space demo recording. It gets me a warm kick, moderate snare and less obnoxious cymbals and guitar bleed. I usually just hang an e609 over the guitar cabinet. It is a super easy, light travel setup: laptop, 2 channel interface, two mics cables and one mic stand.
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