Oh, heck- I just realized I have some waffles:
DW hardware is pretty great. Being on tour with all DW stuff has made me realize that a lot of things I have found annoying in the past are actually useful features if you're in a big tour "throw and go" situation.
These plastic handle thingys?
It used to drive me INSANE how I'd get a snare basket to almost exactly the right place and the sticky-outy part would be bashing into the snare stand. Turns out, I am the dummy, and that button allows you to reposition the plastic handle so you can get a little extra oomph on it.
Also, this thing:
(The thing that's sticking out from the side and is adjustable with a drum key) Another "set it and forget it" feature of DW stands is this Techlock thing. It's basically a memory lock for things that are adjustable in more than one axis. When I started working for Culture Club, the percussionist said to me "My cymbals ALWAYS fall over halfway through the show." I checked and there were no memory locks on his stands and the Techlocks weren't tight. (Some drum techs just don't know, I guess.) I tightened everything up. Cymbals never fell over again.
For all of the cork-sniffing dumbassery of the DW drums themselves, their hardware (some of it based on Camco designs, which were based on innovations created by George Way, who was an absolute lunatic genius) (George Way invented the bent floor tom leg and the threaded screw height-adjustable drum throne!) is made to go on the road. DW hardware has the best memory locks, so everything is repeatable without guesswork. When you're setting up a kit night-after-night, this is the stuff that makes life easier.
The DW 5000 bass drum pedal is pretty much the standard kick drum pedal and EVERY SINGLE PIECE can be bought individually, so repairing a pedal is a snap. I even converted one to strap-drive:
The DW9000 kick drum pedal is the most over-engineered and insanely dependable and adjustable kick drum pedal out there.
I'm still an Iron Cobra ( \m/ \m/ ) guy, but I have a Camco pedal and two DW pedals that go to gigs where I'm not trying to make the front row feel the breeze from the kick drum on their faces.
I get why LA Doodz who play in the great big bands end up defaulting to DW. It's mostly made for show days.