Re: pre's: I only work with budget and built-in preamps so I've never had the chance to do a shootout, but I have learned that other factors such as changing mics, mic position, and elements of the sound source (cab choice, drum tuning, etc.) have the most effect on the final result.
Also important is the feature set of the unit. I prefer preamps that have EQs built in or paired with them. Sure you can EQ in the DAW, but you can get more out of the final gain stage if it's not clipping from peaking bass frequencies, especially with proximity effect. I record digitally but with some analog sensibilities, and garbage in/garbage out will always be true. I get more use out of my ART Tube Channel and Focusrite Platinum Trakmaster than I could get from something costing 10 to 100 times as much if it doesn't have any tone shaping.
Re: Gear talk: TALK ME OUT OF IT
182I almost never use EQ on a pre but agree with the rest. I kinda believe there are only 2.5 kinds of preamps. The ones that sound good breaking up a little, and the ones that deliver a ton of gain and stay super clean, and the .5 is the few that do both pretty well like an API style thing with a gain and a trim. Noise floor is the only real concern to me and like you, I'd rather move or change a mic out for a certain sound. I also have a couple of the ART tube (ish) preamps and they are fine, but I almost only ever use them as DIs. Never touch the EQ or comp on them at all. Lately my jam has been any standard mic and a second weirdo super filtered sounding mic like from a CB radio or dictophone, old telephone or something like that to blend with it. More fun than twisting EQ knobs. I have 8 CH of actual good preamp, 2 CH of ART (kinda just there) and 24 CH of preamp from my Allen Heath board and the Board Pres get used the most because they are normalled to the soundcard and its just easier.ChudFusk wrote: Fri Nov 25, 2022 1:58 pm Re: pre's: I only work with budget and built-in preamps so I've never had the chance to do a shootout, but I have learned that other factors such as changing mics, mic position, and elements of the sound source (cab choice, drum tuning, etc.) have the most effect on the final result.
Also important is the feature set of the unit. I prefer preamps that have EQs built in or paired with them. Sure you can EQ in the DAW, but you can get more out of the final gain stage if it's not clipping from peaking bass frequencies, especially with proximity effect. I record digitally but with some analog sensibilities, and garbage in/garbage out will always be true. I get more use out of my ART Tube Channel and Focusrite Platinum Trakmaster than I could get from something costing 10 to 100 times as much if it doesn't have any tone shaping.
Re: Gear talk: TALK ME OUT OF IT
183Solid suggestion. It looks like Korg released a VST version of the Wavestate within the last year or so and it's on sale for $99. Apparently it's the same software that's in the hardware version. Gonna check out the demo.dfglv wrote: Fri Nov 25, 2022 11:08 amThere weren't many of them to begin with, fewer still of them have survived the past forty-odd years, and nobody can fix them when they die. The Korg Wavestate buries its capabilities at a tiny subdivision of the asking price with a vastly more accessible interface, and you can load your own fucked-up old samples into it.pater_toma wrote: Thu Nov 24, 2022 5:58 pm A Prophet VS.
Even more ridiculous. I have been slowly selling my hardware and getting more "in the box." Arturia's V9 collection is actually pretty great. Reaktor is great. But my irrational mind wants to put some of the proceeds of my hardware sales towards this overpriced ancient thing. No idea why. But if the stars line up financially, I might not be able to be talked out of it.
Re: Gear talk: TALK ME OUT OF IT
184(Along this line...)Garth wrote: Fri Nov 25, 2022 10:45 am Agreed on mic pres. Preamps especially can have as much money as you want thrown at them with very very very marginal returns in sound quality. You MIGHT notice it more if you are using more gain-thirsty mics like ribbons but even then there are enough cloud-lifter devices on the market to help there for not that much money. Louder sources, more sensitive mics you'll hear even less of what makes a pre-amp "good" although you might get some reduced noise floor for extremely quiet sources w/ wide dynamic range (and even then some "fancy" mic pres have a surprising amount of noise).
One really good channel for your vocal or stand out tracks is about all you need. I think we've done a good job on this forum explaining how far along affordable preamps have come (maybe even earlier in this thread). There are so many options. Hell even some of the recordings I did 25 years ago using only A&H Mix Wizard sounds great to me.
Agree w/ the above, if you have money to burn, way better ways to spend it. If you have a few absolutely great channels already and then some other that are "fine" your money can go much further elsewhere.
Back in the day, I had an Alesis HD24 because it was kind of a headache proof way to get "Recording..." gear from one place to another.
The hitch was that it was just Ins/Outs/Capture Media about like an ADAT was back in dark ages. Wound up with an Oram Octasonic with a smaller Carvin board for inputs and a way to monitor them. If either of them go dropped or jacked up, it wasn't so much money tied up that it would be the end of the world.
At some point, a friend of my brother's volunteered to record the jazz ensemble at the place high school he had attended. Since his Pro Tools setup was not quite as "Haul Around..." friendly, he borrowed the HD24/Oram/Carvin mixer for that recording.
I got the files off of the HD24 for him, and gave them a listen while doing so to make sure that there had not been any issues.
I don't ever remember either of us saying anything like "Boy, it would be great if there had been better preamps for you to use on that..."
Always thought that they sounded perfectly solid.
Re: Gear talk: TALK ME OUT OF IT
185A "Better..." class of microphone has always been a more stark difference than preamps when it came to "Proper..." vocal recordings.pater_toma wrote: Thu Nov 24, 2022 5:58 pm Two things:
Any of those 1073 clones over $1000. I do not make money recording other people. I don't think I have the ear to pick out what such gear would do for my recordings. But when looking into "properly" recording vocals, preamps often come up. The old 1073 gets a lot of praise and the clones are getting pretty good reviews. But do I need this above something relatively cheaper for recordings which maybe a handful of people will hear? Probably not.
A Prophet VS.
Even more ridiculous. I have been slowly selling my hardware and getting more "in the box." Arturia's V9 collection is actually pretty great. Reaktor is great. But my irrational mind wants to put some of the proceeds of my hardware sales towards this overpriced ancient thing. No idea why. But if the stars line up financially, I might not be able to be talked out of it.
(Well, to me...)
Re: Gear talk: TALK ME OUT OF IT
186Altec lipstick mic
I am already drowning in mics but i feel like i could sell a bunch
I am already drowning in mics but i feel like i could sell a bunch
Re: Gear talk: TALK ME OUT OF IT
188not if it's the one on ebay for $1800 with no psu.bikefvcker wrote: Tue Nov 29, 2022 6:36 am Altec lipstick mic
I am already drowning in mics but i feel like i could sell a bunch
Re: Gear talk: TALK ME OUT OF IT
189Heil Pro30B.
I have an sm7 and an m88 and an m201. Seems like I have plenty of nice dynamic mics for being a home recording guy. So why do I keep thinking of buying this cheap Heil mic?
I have an sm7 and an m88 and an m201. Seems like I have plenty of nice dynamic mics for being a home recording guy. So why do I keep thinking of buying this cheap Heil mic?
Re: Gear talk: TALK ME OUT OF IT
190Cause it's cheap!yard barf wrote: Sun Feb 19, 2023 3:27 pm Heil Pro30B.
I have an sm7 and an m88 and an m201. Seems like I have plenty of nice dynamic mics for being a home recording guy. So why do I keep thinking of buying this cheap Heil mic?
I'd say if you're short a guitar mic or something when you set up to track stuff for a full band and you want to give this a whirl, why not? But if you're just overdubbing your guitar amp and picking between those other 3, save those couple hundo and wait until you find a mic that's doing something much different for you.