Yeah, it could be a way to avoid stressful work and narrative responsibility shielded by "that's just what happened in the moment". This leads to a whole interesting conversation about artistic intention, effort and happy accidents that I don't currently have the brain power to tee up but you probably know where I'm going.Dougal666 wrote: Thu Apr 13, 2023 12:20 pmYeah, I know that's what she was doing... and improvised acting is a feature which 99% of the time (for any director) ends up in disaster.losthighway wrote: Wed Apr 12, 2023 3:20 pmLynne Shelton was working with improvised acting so making it up as they went along was kind of the concept. It's a feature, not a bug. But whether the feature works to the films advantage is obviously in the eye of the viewer. I've never seen My Effortless Brilliance, but I thought Sword of Trust was decent.Dougal666 wrote: Wed Apr 12, 2023 3:02 pm Lynn Shelton's My Effortless Brilliance (2008) was Mouchette-level torment, the epitome of the we-have-no-script-and-are-making-up-crap-as-we-go-along jeanre.
That's what I mean by "lazy filmmaking", like Altman not using a storyboard (which shows).
More on topic: Altman. I need to explore him more. I wonder if he's influential to this set of filmmakers we're exploring. His layered dialogue always seemed to take some adjustment for me to follow, but I didn't know he was anti storyboard.