Took about six months to realize how great this could be as a vocal mic. Last night I set it up on a whim to sing over a track with pedal steel, electric guitar swells, acoustic, and upright sounding bass. After I had recorded it I was running the N22 voice track through a bunch of eqs trying to find frequencies to cut and boost, but while the changes don’t really amount to much, it doesn’t really need anything either. I think the active circuit is doing a bunch of legwork there.llllllllllllllllllll wrote: Fri Dec 09, 2022 4:15 pm AEA N22 is a really great mic. Plugged it in about a foot away from an old 2x10 amp, checked levels, played a bit and it just immediately gave me the sound I had been looking for.
Before that I had been trouble getting guitar sounds I liked at home with any combination of my other mics I have collected over the years:
AT4033, RE20, Pro 37r, SM57, NT1, 535, D112
In the past any of that was enough to get going with a basic rock guitar sound in a band context, but I am going for something different and could never really get it happening without a bunch of messing around. Bass and baritone were much less of an issue.
The N22 is a pretty expensive ribbon mic but I feel like it was what I needed
Basically the opposite from the AT4033 I had been using, which may not sound perfect to start with, but can be EQ’d every which way.