I hadn't considered a semi-permanent dolly, sounds like the way to go, thank you. I considered just using a moving dolly like it's sitting on in the photo but those are kinda PITA (I still cannot figure out how Dylan got it up and down the stairs of his studio alone). I might do something w/ T-nuts in the base so it can be taken off without having to undo one million screws. Regardless I definitely want to go w/ bolts instead of wood screws considering how beefcake this thing is.Nate Dort wrote: Sat Feb 24, 2024 3:21 pm I'd make a separate dolly for it, like a B15 has, then bolt it through the bottom of the cabinent with 4 or 6 machine bolts + nuts + washers. Wouldn't bother fixing the borken areas.
I have a feeling this is going to be a practice/recording bass cab unless I just decide to sell off the speakers individually. They look brand new.
Update. JFC those Altecs seem to have jumped in asking price. I could sell 3 of the 4 and cover what I paid for the Sunn head (#bragalert, sorry).
This made a lot of sense, especially considering how some of those Ampeg cabs could be upgraded from the factory with the Altecs, but I looked up a few and I don't think this is an ampeg cab. The biggest reason is that I haven't seen any Ampegs where it has the porting all the way across the front. The V2 seems to have two smaller rectangular ports left and right. Mine also seems to have a thicker edge around the grill than the Ampegs as well.llllllllllllllllllll wrote: I have an oversized vintage Ampeg V2 4x12 in the same format and the same speakers. It looks the same except somebody redid mine in Vox grill cloth, Dumble style.
The mystery continues!