Someone here, or maybe the old PRF, pointed out the uniqueness of Wilson's guitar, which I had previously not noticed. He was fantastic. 52 Girls is one of my favorite guitar songs ever, up there with The Smiths' This Charming Man.matttkkkk wrote: Sun Aug 11, 2024 7:31 pm B-52's are a very important band to me, and Ricky Wilson's guitar is everything.
Re: Debut dome: The B-52s vs Devo
22From RW's first guitar tech Keith Bennett, memoir here: https://issuu.com/bennettcreative/docs/rickywilsonHe would focus on certain strings on certain guitars, and using the little Korg analog tuner, he would throw those strings, which I had tuned to digital perfection, off of A 440 ever so slightly. In other words, I had to get it perfect so he could then deviate from there to a place that only he could find.
...
After Ricky checked and tweaked his tunings I would begin to transport the seven guitars, two of them double necks, all with different tunings, to the stage area where I had earlier set up a base of operations. From there I would alter the guitar tunings and string variations during the show, as they changed with each song. We couldn't travel with fourteen guitars so I had to subtract strings and retune using the Korg, as per the set list dictate.
Ricky used only five strings on his guitars, sometimes only four, and always the heaviest gauge possible. For those of you who might ask, 0.18 was the lightest, 0.58 the heaviest. During the show he would punish the strings using an extra heavy pick, staring intensely at some point on the stage floor or a million miles beyond, thrashing away as a constant rivulet of sweat dripped from the end of his nose like a trickle of water off of a mountainside.
He hit hard, holding nothing back, creating his unique chording with his thumb over the top of the fret board and hitting down while pulling up on the higher two strings, usually tuned in unison. Pushing down and pulling up thusly, he pulled out dynamics like lava from a volcano. Ricky created the illusion of two guitarists in this way and combined with Keith Strickland's excruciatingly exact drumming, he produced an infectious rhythm.
Re: Debut dome: The B-52s vs Devo
23DEVO, but it's not an easy call.
These are two of the best debut albums and bands of all time.
These are two of the best debut albums and bands of all time.
He / him / his
"Let's play this one for laughs / Let's make it never stop"
The Family Ghost (band) | Revenge Body (solo)
"Let's play this one for laughs / Let's make it never stop"
The Family Ghost (band) | Revenge Body (solo)
Re: Debut dome: The B-52s vs Devo
24This is great. Thanks for sharing.matttkkkk wrote: Sun Aug 11, 2024 9:43 pmHe would focus on certain strings on certain guitars, and using the little Korg analog tuner, he would throw those strings, which I had tuned to digital perfection, off of A 440 ever so slightly. In other words, I had to get it perfect so he could then deviate from there to a place that only he could find.
...
Re: Debut dome: The B-52s vs Devo
25I can relate, because Ricky Wilson is perhaps my all-time favourite guitar stylist and those first two albums are like precious joy preserved in amber.matttkkkk wrote: Sun Aug 11, 2024 7:31 pm B-52's are a very important band to me, and Ricky Wilson's guitar is everything. Devo, much respect, but not in the same league.
And Devo is not really that, but still Devo is a bigger thing. I think Devo fans could cope with sacrificing Are We Not Men? for the greater good, if you had to Sophie's Choice between that and the B-52's debut, apostrophe and all.
B-52(')s fans could never give up the first record, anything but that.
Whammy! is still pretty good I think, but does it beat Freedom Of Choice?
Re: Debut dome: The B-52s vs Devo
26Also, did he just call Keith Strickland's drumming excruciating? I guess he means in a good way. I always loved how disciplined he was. And when he needed a fill he would just go DOONG on his big ass rack tom. Awesome. When I started playing drums seriously he was somebody I looked to as a model for simple-but-effective.
Or course Alan Myers was no slouch.
Or course Alan Myers was no slouch.
Re: Debut dome: The B-52s vs Devo
27"Excruciatingly exact"Anthony Flack wrote: Sun Aug 18, 2024 4:18 pm Also, did he just call Keith Strickland's drumming excruciating?
Re: Debut dome: The B-52s vs Devo
28I like Devo, but I love and cherish the B-52's as much as almost any band ever.
I can see how they are roughly equivalent in many ways, but in that case...when one band is loaded with sex and the other one is a kind of dadaist/futurist art project, I'm going to like the first band better.
That said, basically all of what Devo had to say about commercialism, capitalism, the military-industrial complex, overall banality of modern life was true at the time, except what turned out to be prophetic.
I can see how they are roughly equivalent in many ways, but in that case...when one band is loaded with sex and the other one is a kind of dadaist/futurist art project, I'm going to like the first band better.
That said, basically all of what Devo had to say about commercialism, capitalism, the military-industrial complex, overall banality of modern life was true at the time, except what turned out to be prophetic.
Re: Debut dome: The B-52s vs Devo
29I love Devo but there's nothing in their catalog that moves me as much as Cindy's vocal on "Give Me Back My Man".
Band: www.bracketsseattle.bandcamp.com
Old band: www.burnpermits.bandcamp.com
Older band: www.policeteeth.bandcamp.com
Old band: www.burnpermits.bandcamp.com
Older band: www.policeteeth.bandcamp.com
Re: Debut dome: The B-52s vs Devo
30Yeah, not the adjective I would have chosen but I guess he means it positively.Kniferide wrote: Mon Aug 19, 2024 10:24 am"Excruciatingly exact"Anthony Flack wrote: Sun Aug 18, 2024 4:18 pm Also, did he just call Keith Strickland's drumming excruciating?