814
by llllllllllllllllllll
Having great luck with buss compression with a way cheap Joemeek C2 someone recommended here, but only after removing vocal, bass and lead instruments.
Could never get it to hit right, especially since I like the thumpy bass way loud. I had this little compressor for months and was never able to make anything happen with it, but on a whim I put it on the group 3&4 insert of my board, messed with the settings and turned the compression way down and bam. The damn headphone mix sounds like a record now.
I still had a db or two of compression on one of the individual tracks, which probably helps because the C2 kind of jerks around with significant level changes. Bass, lead vocal, baritone, and pedal steel were left out of the submix, but the compressor was working on velvets guitar, percussion, chord organ, and a lot of acoustic guitar and fake mandolin (detuned and high capo’d guitar) comps I put together.
A cool effect I didn’t intend was some of the individual tracks feeding the effects sends before it was hit by the compressor, so you get neat and subtle dynamic effects with the slap and fake plate.
The Joemeek C2 was way cheap, maybe $150 shipped, but I also spent a long time trying to use it to no avail. Also I kind of hate the compression metering, which seems nonexistent. Maybe not as good as the FMR RNLA, but when this thing works it works. Will have to try the RNLA like this too some other time, but I like using that on individual tracks already, so not in a hurry.