BC = BassCabinet, GC1 = GuitarCabinet1, GC2 = GuitarCabinet2, M = Microphone
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BC GC1 GC2
M
The way that I typically use an ambient mic, you're not going to be getting many spacial cues from it when it's used with the close mics. Unless you are going for a certain effect or if only one guitar is playing at a time, I'd generally have this panned somewhere in the middle. You can figure it out pretty easily if, for example, let's say that you have GC1 mostly panned to the left, GC2 panned mostly to the right and you have a good balance between the two, you solo up those with the ambient mic, move the pan of the ambient mic around the center point until you feel like you have a good balance, bring in the bass to see if it gets weird, and, if it doesn't, then you're done.
An ambient mic like this for your guitars can really add some realism to the sound of electric guitar amps, that's why you'll see it used quite often. It probably comes from realising that the sound of the guitar amps was better whenever some bleed from the talkback/scratch vocal mic was in the monitoring mix.
russ