dave-sidca wrote:My opinions are based on what the archive staff have been led to believe. What are they telling the designers?
Well, the designers are issued with a basic spec. with which they design the system around - I have not read this though as it is no doubt extremely dull.
The amount of different videotape formats in the building at the present is terrifying. When departments start choosing their own edit-suites in isolation, and upgrading and replacing them without telling the archives, things are going to get pretty 'interesting'.
Yeah, I suppose they'll just need to adapt. As far as the system is concerned, the different filtetypes are all "wrapped". It is actually my job to ensure that all of the different departments integrate properly as they are all effectively a part of one big server.
historically speaking, programme production staff are incapable of generating any sort of meaningful or useful metadata, broadcast-storage is facing a very 'interesting' future.
Ha! Yeah, we are dealing with this just now.
Whether it will be able to be searched or retrieved to any useful extent is anyone's guess.
There will be a good, comprehensive search facility.
When I said earlier "all of the new material based in Scotland is now going to be archived to a large digital storage system.." I should really have said all material which is
chosen to be archived, as not much
is actually chosen to be archived.
That probably all sounds a bit vague, but I think there's a limit to what I can say.