unarmedman wrote:But what's with the alliteration?
Maybe I'll just wait for the "Vivid Vasectomy"
Those of you who are into Linux and the erotic avant-garde...
I couldn't help myself.
Moderator: Greg
unarmedman wrote:But what's with the alliteration?
Maybe I'll just wait for the "Vivid Vasectomy"
Those of you who are into Linux and the erotic avant-garde...
juice wrote:Boy, I sure would like to insert my dongle into her SCSI female part and upload my data at a high baud rate. As long as she doesn't ask to use that gender bender in my port 0 I am cool.
skinny honkie wrote:I don't think many of the bedroom engineer demograph who visit this forum will use anything other than OSX or windows for audio work. That's their loss now, and our loss when they realise that their digital audio records are inaccessible. There's probably a few more of us using open platforms like linux/BSD for net stuff tho.
FWIW, as far as desktops go, I feel obliged to speak up on behalf of SUSE 10.0 - okay, it uses an rpm system rather than debs, but in every other regard, it is a wonderfully engineered, solid platform, providing similar portability of function and data to the also quite beautiful Ubuntu. I use both systems at work and home, and at worst I can only level trivial criticisms at them - minor UI issues, smaller hardware compatibilty base, stuff like that.
I intermittently make OS noises on this forum, as a "linux" forum search will reveal, and I'm inclined to think that 99% of the forums users either don't care - fair enough - or miss the point of the case for using an open platform. When members of that 99% try linux/BSD/etc they usually come away dissatisfied because aspects of the platform don't fit with the behaviours/characteristics they see in their other (main) platform - they want to see M$'s banquet of software titles, or Apple's "polish". Threads like this pop up too infrequently, IMO, I really think it's a topic (a niche topic, sure) that needs more visibilty for the benefits it provides.
In terms of recording software, Ardour really strikes me as being too deriviatve of the overly-busy protools workflow, which can potentially lead to difficulties extracting the metadata, from an archival perspective, because you can end up with sound distilled from a digital session file that looks like a bloody christmas tree, with ninety different trinkets dripping from the branches. I think it's almost like putting a curious kid alone in the NASA control-room and saying "don't touch anything". Personally, I think there's a great case to be made for using some of the more stripped-back recording/editing programs like SND - do away with the 6 million buttons and get the desired result by focusing on delivering a representative performance of the sound by the artist in the first place - none of the "fix it in the mix" approach. This way tends to leave simpler multi-track project files, which is a universally good thing, and increases the chance that the data will still be accessible in X years time.
My 2c -
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