The production [on Peel Sessions] is so much better than that on Entertainment, it has some real weight that's missing on the first albums, none of the cheesy overdubs, etc.
People always say this. I actually prefer Entertainment! on the whole. I will say that the bass and drums sound great on the Peel Sessions, and the Peel version of "Guns Before Butter" is definitely way better.
What are these cheesy overdubs you speak of? If you mean the double-tracked vocals in spots, be advised that, far from "cheesy," that is what insiders refer to as "cool." Otherwise I am at a loss to understand.
Another day/Another Dollar has got to get its props, too. In terms of amazing :mediocre song ration, this one is 5:0, which I don't think any other GoF release could touch.
It is Awesome and Rocking, that one. Except I kind of hate "Cheeseburger." That's still 4:1.
I mean, all of there other records had a couple tracks that weren't so hot. I may be putting my head on the chopping block here by suggesting that "Anthrax" was one of them.
Try "Glass" or maybe "5:45." Everything else on there is indispensable and "Anthrax" is stone cold classic.
Anyway, I am guessing that their involvement with Warner had a lot to do with the short longetivity of their actual great music producing period. I can picture a Warners exec saying, "We want a little more of that danceable sound, maybe some female backing vocals, and it'll sell like hotcakes," and POOF! THe golden years of the Gang of Four went up in smoke.
I've had the economics of Gang of Four's career patiently explained to me by someone with much more knowledge about it than I've got and I think they were WAY less manipulated than your account implies. Personally I think they just pretty much lost it artistically at a certain point and should have left it at that, with the possible exception of like five minutes off of Shrinkwrapped.
Although it has some ok tracks, I maintain that Songs of the Free was still a shite album, since it took the bar for GoF standards way the fuck down in one fell swoop. Subsequent releases of course lowered it further, but Songs of the Free struck the first grievious blow.
I quite liked Songs of the Free despite the incipient shiteness. "I Love A Man In A Uniform" doesn't hold up for me, but "We Live As We Dream Alone," "Call Me Up" -- quality. Hard was where I abruptly lost interest.
punk does not have to be some boring fast distorted shit devoid of interesting qualities.
True, but I actually don't think of Gang of Four as being punk except by association with the time and environment they started in.