alternate tunings

15
EGDGBbD - like having Drop-D but in the 2nd position.
(low E as D sometimes, depending on key signature)

Gm GM Cm CM
---------------5-----5--
---------------5-----6--
---------------5-----5--
-5-----5------5-----5--
-3-----4------5-----5--
-3-----3----------------



CGDGBE
This tuning is like playing a classical instrument because of the first few intervals being in fifths. Like having drop D in the first two positions with the ability to add a major or minor third on top when playing in the first position. 9ths are easy to reach in both positions.

Dm DM
---------------
---------------
---------------
--3--------4--
--2--------2--
--2--------2--

alternate tunings

16
and another favorite alt tuning - EADGBx
The 'x' is where the high E should be... except I always break 'em so I've stopped using that string. It's actually for the better, because then I can tune the B a 1/2 step flat and not worry about hitting diminished 5ths.. It really changes what you play when your upper drone note (Bb) doesn't match the lower drone note (E)

alternate tunings

17
I've been playing this for about a year now:

low to high
E ,A, D, octive higher D, E,E

Fairly easy to get used to switching between this and normal tuning. The double high E makes for some great hypnotic/repetitive stuff.

Some of the above tunings look damn interesting. Thanks.

alternate tunings

18
sndo wrote:and another favorite alt tuning - EADGBx
The 'x' is where the high E should be... except I always break 'em so I've stopped using that string. It's actually for the better, because then I can tune the B a 1/2 step flat and not worry about hitting diminished 5ths.. It really changes what you play when your upper drone note (Bb) doesn't match the lower drone note (E)


good to see another person throw that string away. it's alot nicer without it.
Better yet, eat the placenta!!!

alternate tunings

20
sndo wrote:CGDGBE
This tuning is like playing a classical instrument because of the first few intervals being in fifths. Like having drop D in the first two positions with the ability to add a major or minor third on top when playing in the first position. 9ths are easy to reach in both positions.


love that one... use it all the time. you can easily make a lot of great chords that sound unfamiliar to rock listeners weaned on standard.

love em or hate em, at least half of all pavement songs use that tuning

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