eliya wrote:isophase wrote:cenafria wrote:isophase wrote:thought the same about protools until they officially bought one. (hors-sujet)
That studio needs to stay open. Some of of us have never even had a chance to even visit the place, never mind recording there!
What I meant is that they have many microphones that can do the job of an 87 and many would give better results (depending on application).
If an engineer needs Protools, logic won't do, nuendo won't do. It's got to be protools. It's a problem of many digital systems. The interfacs are too different for the skills learnt on one to translate to another.
i have no idea what you're trying to say but i'm sure its off-topic
A microphone is not an editing program or a recorder. It's a transducer, EA has lots of mics that can do the job of the 87 and sound the same or even better. Tape machines can't do beat detection and apparently, some engineers/producers need it.
Pro Tools is a tool which is broader than a mic, it's a tool with all kinds of options and sub applications. it's very much different than a mic you know..
Not having pro tools in a commercial studio is like not having compressors at all in a studio. There are all kinds of tasks you can't do without a compressor. same thing with PT (for some people).
There you go...