Marshall like amp

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scott wrote:The current-production Yorkville/Traynor amps might fit the bill. I had a YCV-40 for a while, and it got a nice really-distorted sound. I always wanted to check out the YCV-80, which is a 4x10" combo, but never did. I'm not really a fan of combo amps, and I just prefer the old-style Traynors so much for the ease in working on them.

Only bad thing I've heard from a couple places about the new Yorkville guitar combo amps is that the cabinets tend to be rattly, and at higher volumes they make noise that can be a problem. A friend of mine even went so far as to add bracing and try to make the connections more solid, and still couldn't get rid of the rattle. So if you're gonna consider one, make sure you play it in person first and give it a good high-volume workout and listen for rattle.

I really like the Laney Pro Tube (some are called AOR, also, even if they don't have the AOR circuitry) 30W and 50W amps, which are from the late 80's/early 90's. I compared the Laney up against my faux-Marshall (JCM800-style), a real JMP master volume, and a JMP Super Lead (non-master) and liked the Laney the best out of all of them, which is why it's what I'm using these days for my dirt amp. I've heard bad about the channel-switching version, which seems reasonable cause channel-switching amps can often suck compared to single-channel. If you're gonna check out one of these old Laneys, I'd make sure it's got 6 knobs and no more. That's the easiest way to identify them.



I actually nearly picked up a laney protube combo on craigslist for 50 bucks, but someone beat me to it and put it on ebay immediately. It was quite a bummer
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Marshall like amp

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A vs B wrote:I actually do use a Weber Attenuator to crank my amp, so I'm definitely looking for something to crank into power tube distortion( not an amp that will need a pedal, other than maybe a clean boost). I think a big part of what I don't like about the HRD is the power tubes, but to be honest I'm not that familiar with the differences among power tubes.


Yeah, those Sovteks leave a lot to be desired. Consider using either =C= /SED's or JJ's, as both of these are tonally superior to the Sovtek stuff. --If it's possible to do with current Fender amps, you may also want to consider using EL34's in place of the 6L6's, though I would ask a competant tech if this is possible with current production Fender gear. --Some amps designed around 6L6 tubes have a PSU transformer that has a filiament winding rated only for 6L6's, other tubes like EL34's have a greater current draw on the filiaments, and you run the risk of burning up the filiament winding, which means you'd have to get a new PSU transformer for your amp.
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Marshall like amp

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Well I mean that I don't like the 6l6's, I think. I actually have JJ's in one amp and another has sovteks. I actually like the amp with the sovteks better on it's own, but they both have different speakers, and I crank the JJ amp, while using a distortion pedal on the other when I play.
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Marshall like amp

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D'Piucchstre wrote:Stay away from the Lee Jackson designed Ampegs from the early 90's, (they have the light up logo, and require a key to turn the amp on.)


I promise I never heard of this existing and thought it was my own original idea, which I now know it isn't. Maybe the original part is the idea to use a relay that can actually handle high voltages? :)
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