Sam Peckinpah?

CRAP
Total votes: 2 (10%)
NOT CRAP
Total votes: 18 (90%)
Total votes: 20

Filmmaker: Sam Peckinpah

11
ranxerox wrote:Normally I would be turned off by a fellow who graphically confuses rape with good sex, but Peck knew how to put such ambivalence into contexts which made the resultant ill ease instructive.

So that queasy feeling I get during the rape scene in Cross of Iron is really a teaching moment?

I hate to sound dense, but what exactly am I learning?

Filmmaker: Sam Peckinpah

13
Jeff wrote:So that queasy feeling I get during the rape scene in Cross of Iron is really a teaching moment?

I hate to sound dense, but what exactly am I learning?


Don't rape Russian women soldiers. They'll cut your balls off and leave you to bleed to death.

The other standout set-piece revolves around Steiner’s men coming upon a group of female Russian soldiers. Steiner and his men engage in a fire fight with a platoon of female Russian soldiers. They quickly gain the upper hand. The men, who at first seem menacing to the women, fall prey to these enemy soldiers. The women defuse the situation by appearing to be sexually interested in the men. The leader of the Russians takes on the most volatile and aggressive of Steiner’s men. She sends looks to the others as she willfully submits to this brutality. The women know what to do. The youngest woman is told to seduce a young German who has barely reached puberty. With these two young people, Sam shows the horror of rape in a very ironic way. The young girl puts the young soldier at ease. She looks at him as if she loves him. She then clumsily thrusts a bayonet into his stomach as she covers his mouth. She sobs uncontrollably as the blade first penetrates her victim. She is overcome by the horror of the act as she watches the young man die. Sam shows what its like to be raped with both of the characters. The male is the one penetrated. He cries out in agony and dies with a bewildered look on his face. A look of betrayal. A look that has crossed the faces of many a rape victim. The female cries as she is forced to kill or be kill. She cries for her lost innocence. Another more experienced Russian orally castrates one of Stiener's men as he forces her to perform fellatio on him. Steiner saves the rest of his men by leaving the castrated soldier to be tortured by the women. Ulysses saving his men from the sirens. War is hell.


I don't think it's meant to be instructive in any other way than showing the brutality of total war. Orson Welles thought this was the best anti-war film ever made. I'm not sure if it's the best,Come and See by Elem Klimov is certainly the best anti-war film I've seen, but certainly a contender.

Come and See is an amazing film, far tougher and more sophisticated than Cross of Iron, and very influential to The Thin Red Line by Terence Malik.

Come and See shows war to be an utter disaster with no redemption through macho heroism.

Filmmaker: Sam Peckinpah

15
Since when is it an artist's duty to educate people based on one particular set of moral values (other than his own, worst of all)? Though pretty much every work of art will express a moral point of view in one way or another, I certainly don't expect to see a representation of the world as I wish it would be every time I see a movie or read a book.

That said, I don't have a strong opinion on Peckinpah. Iron Cross and Straw Dogs were really good, I guess, haven't seen much of the rest.

Filmmaker: Sam Peckinpah

16
Bernardo wrote:I certainly don't expect to see a representation of the world as I wish it would be every time I see a movie or read a book.


Exactly, this is the problem with the majority of Hollywood films. Peckinpah's films are very direct and confident in their vision. He is a very singular voice.

Filmmaker: Sam Peckinpah

18
I can't believe that nobody has mentioned Pat Garrett & Billy the Kid, perhaps my favorite movie of all time. Not the greatest--probably not even Peckinpah's best--but my favorite. Slim Pickens' death is one of the most magnificent scenes ever put on film. Watching that while hearing "Knockin' on Heaven's Door" is enough to make you forgive Axl Rose for everything.

Filmmaker: Sam Peckinpah

20
Bring Me the Head of Alfredo Garcia is worth picking up, got it for ten dollars at Best Buy. Decent tranfser, comes with an audio commentary track by three "Peckinpah" historians/critic, as well as the original trailer. Warren Oates was the greatest character actor of his generation.
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H. L. Mencken

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