brian wrote:rank:
come on feel the noise
come on eileen
come on come on
This rank is simple although it requires five responses:
1. Come On Come On: Over the course of their first 4 records, Cheap Trick did little wrong. This song is among the many highlights of those records. A landmark pop song, in my book.
2. Cum On Feel The Noize (1973): The Slade original is a good slab of dunderheaded fun. If arena rock has to exist, then this is the way it should be. Slade also scores points for working the word "cum" into the title. However, if the mark of a group is its influence on later generations, Slade seriously suffers (see nos. 4 and 5, below).
3. Come On Eileen: The only way a song could be this enjoyably bad is if the folks who wrote and recorded it were completely inept, yet absolutely genuine and likeable folks. Somehow the winning personality of Dexy's Midnight Runners overcomes their hack art. It's almost like a Danielson Famile recording if Brother Daniel was retarded and talentless.
4. Cum On Feel The Noize (1983): Big, dumb and completely lacking any balls or goofy charm. Quiet Riot was a band of absolute fools with no redeeming qualities or moments. Music by which to practice twirling drumsticks.
5. Cum On Feel The Noize (1996): Oasis makes me long for the sublime and nuanced work of Quiet Riot.