Re: Those 2023 albums worth a damn.

111
Anonymous37 wrote: Mon Jan 01, 2024 4:38 pm The list:

Agriculture -- S/T
anonymous -- Fontana (NRRUSA)
Aphex Twin -- Blackbox Life Recorder 21f / In a Room7 F760
Armand Hammer -- We Buy Diabetic Test Strips
Äyanna -- In a Perfect World
Baby Storme -- Forever Halloween
Bad History Month -- GOD IS LUCK
Black Duck -- S/T
Blonde Redhead -- Sit Down for Dinner
Blood Quartet -- Root 7
Brink, Mathilda -- Glimmingen
Bury Them & Keep Them Quiet / Feminizer (split)
Chenayder -- Blue Oblivion
covet -- smolder
CRAWL -- Damned
Dead Bob -- Life Like
Deathcrash -- Less
Deerhoof -- Miracle Level
Diamond, Hannah -- Perfect Picture
Donna Candy -- Blooming
The Exbats -- Song Machine
Eyes -- Congratulations
The Feelies -- Some Kinda Love: Performing the Music of the Velvet Underground
Ferreyra, Beatriz -- Senderos de luz y sombras
Flooding -- Silhouette Machine
Florry -- The Holey Bible
Freezing Hands -- Empty The Tank
Gel -- Only Constant
Grails -- Anches en Maat
The God Eaters -- American Country Gold
Half Stack -- Sitting Pretty
High Rise -- Dispersion (reissue)
Kali Uchis -- Red Moon in Venus
Khanate -- To Be Cruel
Kostnatění -- Úpal
Kuvveti, Deli -- Kadife Alacakaranlık
Lamp of Murmuur -- Saturnian Bloodstorm
Landowner -- Escape the Compound
Laurel Halo -- Atlas
Lewsberg -- Out & About
Like Angels -- Your Time Will Come
Liturgy -- 93696
LOTTO -- SUMMER
Loupe -- Do You Ever Wonder What Comes Next?
Many Birthdays -- Real Life Energy
McRae, Tate -- Think Later
Mitski -- The Land Is Inhospitable and So Are We
Mulva -- Seer EP
Mums -- Legs
The Necks -- Travel
Noname -- Sundial
Noriko, Tujiko -- Crépuscule I & II
Nourished By Time -- Erotic Probiotic 2
Orellana, Joaquín -- Sacratávica
Orquesta del Tiempo Perdido -- Rimpianti
OXBOW -- Love's Holiday
Pigs Pigs Pigs Pigs Pigs Pigs Pigs -- Ultimate Hammer
Pile -- All Fiction
RAYE -- My 21st Century Blues
Screaming Females -- Desire Pathway
Sheffield, Colin Andrew -- Images
Shitfire -- Shit Genes
Sprain -- The Lamb as Effigy
Tal Coal -- S/T
Thomas, Pat -- Burdah Variations
Tinashe -- BB/ANG3L
Tomb Mold -- The Enduring Spirit
Tristis -- Das Schweigen Vieler
Upper Wilds -- Jupiter
Vida, Ben w/ Yarn/Wire and Nina Dante -- Rhythmed Events
Vulture Feather -- Liminal Fields
Washer -- Improved Means to Deteriorated Ends
Wednesday -- Rat Saw God
You Can Can -- S/T
Youff -- Heydays

Time for "Those 2024 albums worth a damn".
Thanks for doing this!

Re: Those 2023 albums worth a damn.

112
llllllllllllllllllll wrote: Mon Jan 01, 2024 6:23 pm
Anonymous37 wrote: Mon Jan 01, 2024 4:38 pm The list:

Agriculture -- S/T
anonymous -- Fontana (NRRUSA)
Aphex Twin -- Blackbox Life Recorder 21f / In a Room7 F760
Armand Hammer -- We Buy Diabetic Test Strips
Äyanna -- In a Perfect World
Baby Storme -- Forever Halloween
Bad History Month -- GOD IS LUCK
Black Duck -- S/T
Blonde Redhead -- Sit Down for Dinner
Blood Quartet -- Root 7
Brink, Mathilda -- Glimmingen
Bury Them & Keep Them Quiet / Feminizer (split)
Chenayder -- Blue Oblivion
covet -- smolder
CRAWL -- Damned
Dead Bob -- Life Like
Deathcrash -- Less
Deerhoof -- Miracle Level
Diamond, Hannah -- Perfect Picture
Donna Candy -- Blooming
The Exbats -- Song Machine
Eyes -- Congratulations
The Feelies -- Some Kinda Love: Performing the Music of the Velvet Underground
Ferreyra, Beatriz -- Senderos de luz y sombras
Flooding -- Silhouette Machine
Florry -- The Holey Bible
Freezing Hands -- Empty The Tank
Gel -- Only Constant
Grails -- Anches en Maat
The God Eaters -- American Country Gold
Half Stack -- Sitting Pretty
High Rise -- Dispersion (reissue)
Kali Uchis -- Red Moon in Venus
Khanate -- To Be Cruel
Kostnatění -- Úpal
Kuvveti, Deli -- Kadife Alacakaranlık
Lamp of Murmuur -- Saturnian Bloodstorm
Landowner -- Escape the Compound
Laurel Halo -- Atlas
Lewsberg -- Out & About
Like Angels -- Your Time Will Come
Liturgy -- 93696
LOTTO -- SUMMER
Loupe -- Do You Ever Wonder What Comes Next?
Many Birthdays -- Real Life Energy
McRae, Tate -- Think Later
Mitski -- The Land Is Inhospitable and So Are We
Mulva -- Seer EP
Mums -- Legs
The Necks -- Travel
Noname -- Sundial
Noriko, Tujiko -- Crépuscule I & II
Nourished By Time -- Erotic Probiotic 2
Orellana, Joaquín -- Sacratávica
Orquesta del Tiempo Perdido -- Rimpianti
OXBOW -- Love's Holiday
Pigs Pigs Pigs Pigs Pigs Pigs Pigs -- Ultimate Hammer
Pile -- All Fiction
RAYE -- My 21st Century Blues
Screaming Females -- Desire Pathway
Sheffield, Colin Andrew -- Images
Shitfire -- Shit Genes
Sprain -- The Lamb as Effigy
Tal Coal -- S/T
Thomas, Pat -- Burdah Variations
Tinashe -- BB/ANG3L
Tomb Mold -- The Enduring Spirit
Tristis -- Das Schweigen Vieler
Upper Wilds -- Jupiter
Vida, Ben w/ Yarn/Wire and Nina Dante -- Rhythmed Events
Vulture Feather -- Liminal Fields
Washer -- Improved Means to Deteriorated Ends
Wednesday -- Rat Saw God
You Can Can -- S/T
Youff -- Heydays

Time for "Those 2024 albums worth a damn".
Thanks for doing this!
Last edited by InMySoul77 on Mon Jan 01, 2024 6:49 pm, edited 1 time in total.

Re: Those 2023 albums worth a damn.

116
kokorodoko wrote: Sun Dec 10, 2023 6:22 am
losthighway wrote: Sat Dec 09, 2023 11:09 am It's fascinating. Many things you share seem like they'd be huge on the radio but I'm fairly sure they aren't. It would seem we live in an era with meticulously crafted pop/R&B that hovers somewhere underground even if that's not its goal. Is that true?
Indeed!
Although I've done some more research and Tate is actually right up there at the moment - her last album went to the top 10 in several countries and the song "greedy" was briefly #1 on spotify, now #3. Pretty wild to have no idea of this, to me it was just another thing I heard.

Still many other artists around that are much, much smaller.
born to give

Re: Those 2023 albums worth a damn.

117
kokorodoko wrote: Mon Jan 15, 2024 1:59 am
kokorodoko wrote: Sun Dec 10, 2023 6:22 am
losthighway wrote: Sat Dec 09, 2023 11:09 am It's fascinating. Many things you share seem like they'd be huge on the radio but I'm fairly sure they aren't. It would seem we live in an era with meticulously crafted pop/R&B that hovers somewhere underground even if that's not its goal. Is that true?
Indeed!
Although I've done some more research and Tate is actually right up there at the moment - her last album went to the top 10 in several countries and the song "greedy" was briefly #1 on spotify, now #3. Pretty wild to have no idea of this, to me it was just another thing I heard.

Still many other artists around that are much, much smaller.
She is/was definitely a show biz child with multiple industries behind her I would think.

https://internationalfilmreview.net/201 ... -to-watch/

Re: Those 2023 albums worth a damn.

118
jimmy spako wrote: Mon Jan 15, 2024 5:30 amShe is/was definitely a show biz child with multiple industries behind her I would think.

https://internationalfilmreview.net/201 ... -to-watch/
Yeah she's been a competitive dancer for years and is well-known among people in that environment.

I remember how demoralizing it was being a teenager wanting to get into music and it seeming like you had to be almost born with an instrument in your hands for it to be worth it. I know it's not quite like that ofc, and my difficulties with finding myself in music go well beyond that, and I'm assuming it's just a natural statistical overweight (aside from experience and connections and such - most people who are good at music as adults have been doing music for a long time, most people who play music regularly have been playing music for a long time...), but sometimes it feels like every prominent or otherwise accomplished musical act has some an origin story like "yeah I've been in music school since I was seven". Seeing a few exceptions would be fun!

Anyway, go queen etc.
born to give

Re: Those 2023 albums worth a damn.

119
I get you. What I love about the digital revolution is that there are so many people now coming in laterally or "late" or "underinformed" to creative music making.

For example, this young woman's music has not yet totally clicked with me, but I appreciate the attitude here and the candor in the above regard:



It's such a weird moment somehow.
On the one hand there is this extreme professionalisation in music, which extends to sound art and free improv and experimental music and rock and pop academies- so much of what we hear is the product of extremely specific academic/professional paths open to a certain type of person who takes or can take such a linear path.
And at the same time the world is blown open as far as access to tools and platforms and inspiration. And there are amazing things happening beyond the above-mentioned hyper-professionalised world.

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