Garth wrote: Fri Mar 08, 2024 8:46 pm
Seems like they're all befuggled in some way.
Original JM Bridge: uh wtf Leo
Mustang Bridge: at least it's better than the first option
Mastery: solves the floating bit but that's actually a feature some folks like, more importantly, one is unable to completely set intonation on each string.
Staytrem: I have not seen one in person but it looks like there's no individual saddle height adjustment? I guess you could use shims maybe?
Tuffset: Seems to solve most of these issues...but it reverts back to the floating/rocking trem...
Seems like none of the options do everything: Fully intonatable, firm & locking w/ out rocking/floating, full height adjustment.
- Staytrem does not have individual saddle height adjustment, but instead comes in either 7.25" or 9.5" radius which solves things.
- Staytrem does rock back and forth in the thimbles. At the time that I bought mine (2017) you could specify the inclusion of non-rocking vinyl bushings, however. That doesnt show up on their site right now, but you might be able to email and ask about that, or go old school and source your own bushings.
Nate Dort wrote: Fri Mar 08, 2024 8:57 pm
Dr Tony Balls wrote: Thu Mar 07, 2024 10:53 am
2) SIX whole saddles? Go fuck yourself, Mastery.
Tele bridge over here like
Right, but i'll give that a pass as there weren't a whole lot of string options in 1950, nor was intonation a huge concern (a 1953 Les Paul had ONE saddle, lest we forget). A three saddle bridge was reasonably intonateable (sp?) given wound E-G and plain B-E. Nowadays there are of course many options to convert a three saddle bridge to have proper intonation on many string sets, be it compensated or tilting saddles. Mastery (in 2007, mind you) said "i have a great idea....TWO saddles". 60 years of guitar engineering before them, and knowing full and well that people nowadays play on all kinds of string sets and tunings, they limited their design to 'your top 3 must be
all wound or plain and your bottom three must be
all wound or plain. Its shit engineering. How can you make a Jazzmaster bridge that cant serve Sonic Youth?