ctrl-s wrote:The bass on "Albatross" makes me queasy. (Simon Reynolds refers to this as the arsequake effect.) How did they do that? I seem to recall something about them having the bass amp facing a wall at close range and recording the sound from further away in the room.
"Careering," 1980 (YouTube). Love that screechy Prophet synth.
I recently saw a DVD with a segment of the Tomorrow Show in, I think, 1979, with Levene and Lydon. I had forgotten how RIDICULOUSLY, HILARIOUSLY hostile and UTTERLY up their own asses they were. Snyder all but called them toolboxes. Also at the first closeup of Levene my friend cracked up and said "Oh no, HE'S not on heroin, no way."
Not crap!
Compared to some of the media encounters Lydon has had, I don't think that one was too terrible. It seemed like Snyder was kind of looking for a fight, so to speak.