rayj wrote:
To me, digital audio is digital audio. Last I looked, Pro Tools and Tracktion were the only suites that rendered audio in 64bit. I'm a little fuzzy on that stat, but I'll be running my system in 64 bit architecture, which is potentially exciting. Of course, I won't really know if it will matter much until I run a few tests.
Curious - I had a bit of a squiz, and pro tools looks about as 64bit as my trousers. I haven't even been able to get it to render a 32 bit float. As far as addressible memory space is concerned, nfi, maybe it is, maybe it isn't - tho I think it very unlikely that it is - my guess is that it either invokes a PAE hack/like thing on the hardware by using something like internal 34bit or 40bit memory addressing to nudge over the 4GB limit.
The only thing google picks up about ProTool and 64 bit are some gay-ass expansion card designed for PCI-64 slots - so we're talking physical topology + bandwidth, not the new sliced bread. If we're talking the mixing engine...maybe, best case scenario. This all hinges on what sort of thing we're really talking when we say 64bit....Bandwidth? Memory Space? Precision level? OS compatibility? I think it's misleading if 64bit is used in a marketing term sense to denote quality by inference, like the way "HD" is used on everything from TV's to T-shirts.
Have you got the inside line on this RayJ? I'm genuinely curious.
In other news, I am getting so fucking sick of the letters H and D used in close conjunction with each other.