Re: RIP v2 - still no cure for death
Posted: Fri Apr 25, 2025 2:24 pm
i discovered pere ubu as cooking vinyl started to reissue their albums in the mid 90s, by which time i'd had a few years to imagine what they might sound like. i think i was 16 when i heard 'the modern dance' for the first time, and i knew i'd never be the same.
this rapt, open attention to the sound of rock'n'roll and what it could be persuaded to bear. the way his lyrics reflected and refracted other people's songs, as well as each other, across decades like the shards of mirror on the cover of bailing man. i think i fell in love with the articulacy of the man and his project as much as anything else - this is what we are, this is how we do it, this is what we're not going to do, this is what we're not prepared to settle for.
i saw them play just once, at the ica in london, for 'ubu roi'. sarah jane morris couldn't do the show so had been substituted with a stack of cardboard boxes with 'mere ubu' written on it. they played the album straight through - feeling like it might all violently disintegrate at any time - during "the story so far" he walked back upstage and lay down and sang this extraordinary wordless solo? howl? lament? - jesus, i don't know. i was afraid to try and meet them outside and i wish that i had.
some people's art gets right up in your imagination & your sense of self and looks around and says something like, "look over here! and over there! wow, look at that! what happens when we try this!?" his art did that for me.
'pennsylvania', 'why i hate/luv women', 'carnival of souls', all incredible.
this rapt, open attention to the sound of rock'n'roll and what it could be persuaded to bear. the way his lyrics reflected and refracted other people's songs, as well as each other, across decades like the shards of mirror on the cover of bailing man. i think i fell in love with the articulacy of the man and his project as much as anything else - this is what we are, this is how we do it, this is what we're not going to do, this is what we're not prepared to settle for.
i saw them play just once, at the ica in london, for 'ubu roi'. sarah jane morris couldn't do the show so had been substituted with a stack of cardboard boxes with 'mere ubu' written on it. they played the album straight through - feeling like it might all violently disintegrate at any time - during "the story so far" he walked back upstage and lay down and sang this extraordinary wordless solo? howl? lament? - jesus, i don't know. i was afraid to try and meet them outside and i wish that i had.
some people's art gets right up in your imagination & your sense of self and looks around and says something like, "look over here! and over there! wow, look at that! what happens when we try this!?" his art did that for me.
'pennsylvania', 'why i hate/luv women', 'carnival of souls', all incredible.