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151whoisalhedges wrote:Nah, you gotta figure out a way to work it into the band... picture it:A fist-pumping, anthemic, major chord song. Four on the floor, sing-along chorus, the whole nine. After the bridge and twice through the last chorus, everything cuts out except guitar and bass. A circling bass line, contrapunctual to a lone guitar playing a minor scale. Some smooth fuzz, like a ram's head Muff, maybe some light phasing or Uni-Vibe... and the slow gear. Half-notes, quarters, the occasional whole note - but a languid, lyrical, plaintive solo takes shape. After a few bars, the Slow Gear drops out - replaced by heavier phasing (or maybe disengaging the phaser altogether and kicking on a wah), overdriven-amp compression, and BOOM the fuckin' drums coming back in. The band carries you now, as you carried them with the Slow Gear. The crowd goes wild, and you get a blowjob.Now THAT is how you use a god damned effect pedal.